
Madonna and Child with Two Angels and a Donor
Giovanni di Paolo (Giovanni di Paolo di Grazia) (d. 1482)
ca. 1445 · Tempera on wood, gold ground (partly checkered with modern red glazes)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
229 ms. The Metropolitan Museum of Art, Collection API (Open Access)
344 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 75 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Madonna and Child with Two Angels and a Donor
Giovanni di Paolo (Giovanni di Paolo di Grazia) (d. 1482)
ca. 1445 · Tempera on wood, gold ground (partly checkered with modern red glazes)
Cleared · Public Domain
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Clarinet in F
August T. A. Knochenhauer (d. 1866)
1856 · various materials
Cleared · Public Domain
live
Alto Clarinet in E-flat
Johann Friedrich Wilhelm Wernicke (d. 1870)
1858–64 · Boxwood, brass
Cleared · Public Domain
live
Teapot
Gorham Manufacturing Company (d. 9999)
ca. 1865 · Silver and ivory
Cleared · Public Domain
live
Creamer
Gorham Manufacturing Company (d. 9999)
ca. 1865 · Silver
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Une Dame, au Chapeau Orne de Quatre Plumes et les Deux Mans sur les Hanches, Vue de Face Entre Deux Hommes (A Lady, Wearing a Hat Ornamented with Four Feathers and Her Two Hands on Her Hips, Viewed from the Front Between Two Men), from "Les Fantasies" (The Fantasies)
Jacques Callot (d. 1635)
1635 · Etching; first state of two (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Altarpiece ornamented with The Rest on the Flight into Egypt in an oval medallion, from Trois projets de retables d'autels, plate 1
Jean Le Pautre (d. 1682)
17th century · Etching; undescribed state (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Altarpiece ornamented with The Rest on the Flight into Egypt in an oval medallion, from Trois projets de retables d'autels, plate 1, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; undescribed state (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Panel ornamented with The Rest on the Flight into Egypt, from Divers panneaux d'ornements, plate 5, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Panel ornamented with The Rest on the Flight into Egypt, from Divers panneaux d'ornements, plate 5, in A Bound Collection of Print Series Including Cheminées et Lambris, Alcoves à la Romaine, Feuillages et autres ornemens..., etc.
Jean Le Pautre (d. 1682)
1751 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sopranino Clarinet in E-Flat
Unrecorded maker
1830–50 · Brass
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tea service with tray
Josef Hoffmann (d. 1956)
ca. 1906–1908 · Silver alloy, wood and lapis lazuli
In copyright
live1. Pin the work
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2. Read the arithmetic
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