
Altarpiece with the Lives of Jesus, Saint John the Baptist, and Saint John the Evangelist
Baldassare degli Embriachi (d. 1409)
ca. 1390–1400 · Bone framed with intarsia and horn, traces of paint and gilding
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
583 ms. The Metropolitan Museum of Art, Collection API (Open Access)
417 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 381 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Altarpiece with the Lives of Jesus, Saint John the Baptist, and Saint John the Evangelist
Baldassare degli Embriachi (d. 1409)
ca. 1390–1400 · Bone framed with intarsia and horn, traces of paint and gilding
Cleared · Public Domain
live
The Madonna of Humility, the Annunciation, the Nativity, and the Pietà
Bartolomeo Vivarini (d. 1491)
ca. 1465 · Tempera and gold on wood
Cleared · Public Domain
live
Foliate Ornament
Master W with Key (d. 1490)
ca. 1465–90 · Engraving
Cleared · Public Domain
live
Virgin and Child Enthroned with Saints Anthony Abbot and Jerome
Moderno (Galeazzo Mondella) (d. 1528)
ca. 1490 · Partially gilt silver
Cleared · Public Domain
live
Seated Bishop
Tilman Riemenschneider (d. 1531)
ca. 1495 · Limewood and gray-black stain
Cleared · Public Domain
live
Madonna and Child Enthroned with Saints Mary Magdalen and John the Baptist
Giuliano di Piero di Simone Bugiardini (d. 1554)
ca. 1523 · Oil on wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Altarpiece ornamented with a painting of the Holy Family with the Infant Saint John, from Retables d'autels, plate 12, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Altarpiece ornamented with a representation of the Crucifixion with Mary Magdalen, from Retables d'autels, plate 11, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Altarpiece ornamented with Mary and Saints weeping over the dead Christ, from Trois projets de retables d'autels, plate 3
Jean Le Pautre (d. 1682)
17th century · Etching; undescribed state (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Altarpiece ornamented with Mary and Saints weeping over the dead Christ, from Trois projets de retables d'autels, plate 3, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; undescribed state (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Altarpiece ornamented with The Rest on the Flight into Egypt in an oval medallion, from Trois projets de retables d'autels, plate 1
Jean Le Pautre (d. 1682)
17th century · Etching; undescribed state (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Altarpiece ornamented with The Rest on the Flight into Egypt in an oval medallion, from Trois projets de retables d'autels, plate 1, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; undescribed state (Préaud)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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