Annunciation Triptych (Merode Altarpiece)
Robert Campin (d. 1444)
ca. 1427–32 · Oil on oak
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
105 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
6 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 501 matching records exist across the two collections.
Results for "Altarpiece with Relics"12 records
Institutions answered newest-first by record, interleaved
Altarpiece with Relics
Joseph Matthias Götz (d. 1760)
c. 1735–40 · Sculpture, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Altarpiece with Christ, Saint John the Baptist, and Saint Margaret
Andrea da Giona (d. 1450)
1434 · Marble (Carrara marble)
Cleared · Public Domain
liveThe MetSimilar
Altarpiece with Relics - God the Father
Joseph Matthias Götz (d. 1760)
1735–40 · Sculpture, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Reliquary Bust of Saint Barbara
Niclaus Gerhaert von Leyden (d. 1473)
ca. 1465 · Walnut with paint and gilding
Cleared · Public Domain
liveThe MetSimilar
Altarpiece with Relics - Lance, lower right
Joseph Matthias Götz (d. 1760)
c. 1735–1740 · Sculpture, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Reliquary Bust of Saint Catherine of Alexandria
Niclaus Gerhaert von Leyden (d. 1473)
ca. 1465 · Walnut with paint and gilding; limewood base
Cleared · Public Domain
liveThe MetSimilar
Altarpiece with Relics - Angel, lower left
Joseph Matthias Götz (d. 1760)
c. 1735–40 · Sculpture, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Burg Weiler Altar Triptych (Altarpiece with the Virgin and Child and Saints)
Master of the Burg Weiler Altarpiece (d. 1475)
ca. 1470 · Oil on wood, gold ground
Cleared · Public Domain
liveThe MetSimilar
Altarpiece with Relics - Putto, middle left
Joseph Matthias Götz (d. 1760)
c. 1735–1740 · Sculpture, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Pérussis Altarpiece
Nicolas Froment (d. 1484)
1480 · Oil and gold on wood
Cleared · Public Domain
liveThe MetSimilar
Altarpiece with Relics - Angel, lower right
Joseph Matthias Götz (d. 1760)
c. 1735–1740 · Sculpture, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.