![[The Earl Canning, Barnes Court, Simla] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP146075.jpg)
[The Earl Canning, Barnes Court, Simla]
Unknown
1861 · Albumen silver print from glass negative
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
432 ms. The Metropolitan Museum of Art, Collection API (Open Access)
321 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 57 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
![[The Earl Canning, Barnes Court, Simla] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP146075.jpg)
[The Earl Canning, Barnes Court, Simla]
Unknown
1861 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
American Country Life – October Afternoon
Frances Flora Bond Palmer (d. 1876)
1855 · Two-stone lithograph, hand-colored
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
American Country Life: Summers Evening
Frances Flora Bond Palmer (d. 1876)
1855 · Hand-colored lithograph, printed from two stones, with gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Life in the Country – Evening
Frances Flora Bond Palmer (d. 1876)
1862 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Four Seasons of Life – Middle Age "The Season of Strength"
Frances Flora Bond Palmer (d. 1876)
1868 · Hand-coloroed lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Four Seasons of Life – Middle Age: "The Season of Strength"
Charles Richard Parsons (d. 1918)
1868 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Four Seasons of Life – Youth: "The Season of Love"
Frances Flora Bond Palmer (d. 1876)
1868 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Storm
Georgia O'Keeffe (d. 1986)
1922 · Pastel on paper, mounted on illustration board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Expressman
Norman Rockwell (d. 1978)
1924 · Oil on canvas, mounted on Masonite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Negro Church, South Carolina
Walker Evans (d. 1975)
1936 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Panama hat
Dobbs (d. 1950)
ca. 1955 · straw, silk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[843 Postcards of Street Scenes Collected by Walker Evans]
Unrecorded maker
1900s–1960s · Photomechanical prints; gelatin silver prints
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.