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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    328 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    515 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 109 matching records exist across the two collections.

Results for "American Harvesting"12 records

Institutions answered newest-first by record, interleaved

Tomb Chapel of Raemkai: East Wall by an unrecorded maker, The Metropolitan Museum of Art

Tomb Chapel of Raemkai: East Wall

Unrecorded maker

ca. 2446–2389 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
The Apple Gatherers by Karl Anderson, The Cleveland Museum of Art

The Apple Gatherers

Karl Anderson (d. 1956)

1912 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Paccha (ritual vessel) by Inca artist(s), The Metropolitan Museum of Art

Paccha (ritual vessel)

Inca artist(s)

1400–1535 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Landscape with Haywain by Worthington Whittredge, The Cleveland Museum of Art

Landscape with Haywain

Worthington Whittredge (d. 1910)

1861 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Paccha (ritual vessel) by Inca artist(s), The Metropolitan Museum of Art

Paccha (ritual vessel)

Inca artist(s)

1400–1535 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Harvest Time by George Inness, The Cleveland Museum of Art

Harvest Time

George Inness (d. 1894)

1864 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Brooch by Ball, Black & Co., The Metropolitan Museum of Art

Brooch

Ball, Black & Co. (d. 1874)

mid-19th century · Gold and coral

Cleared · Public Domain

live
The MetSimilar
Harvest on the Roman Campagna by John Gadsby Chapman, The Cleveland Museum of Art

Harvest on the Roman Campagna

John Gadsby Chapman (d. 1889)

1868 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Harvest Scene by Winslow Homer, The Metropolitan Museum of Art

Harvest Scene

Winslow Homer (d. 1910)

ca. 1873 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Fan Mount: The Cabbage Gatherers by Camille Pissarro, The Metropolitan Museum of Art

Fan Mount: The Cabbage Gatherers

Camille Pissarro (d. 1903)

ca. 1878–79 · Gouache on silk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

American Harvesting

James Smillie (d. 1885)

1851 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View on the Housatonic

Charles Herbert Moore (d. 1930)

1867 · Hand-colored lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.