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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    881 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    343 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 465 matching records exist across the two collections.

Results for "Amo (house post figure)"12 records

Institutions answered newest-first by record, interleaved

House model by Nayarit artist(s), The Metropolitan Museum of Art

House model

Nayarit artist(s)

200 BCE–300 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Amo (house post figure) by Māori artist, The Metropolitan Museum of Art

Amo (house post figure)

Māori artist

ca. 1800 · Wood

Cleared · Public Domain

live
The MetSimilar
House post figure by Lake Sentani artist, The Metropolitan Museum of Art

House post figure

Lake Sentani artist

19th century · Wood

Cleared · Public Domain

live
The MetSimilar
Ancestor figure by Kambot artist, The Metropolitan Museum of Art

Ancestor figure

Kambot artist

19th century · Wood, paint, fiber

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hampatong (figure)

Ngadju or Ot Danum artist

19th–early 20th century · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Togu na support post with female figure

Mande numu (blacksmith)

19th–mid-20th century · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

House Post

Unrecorded maker

early to mid-20th century · Wood, fiber, shell, paint, feathers, plastic, metal

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Architectural Element: Male

Unrecorded maker

19th–20th century · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

House post figure

Santa Ana Island artist

late 19th–early 20th century · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

House Post Figure

Unrecorded maker

19th century · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

House Post Figure

Unrecorded maker

19th century · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Padrarulj (ancestor figure)

Paiwan artist

19th–early 20th century · Wood, porcelain

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.