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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    239 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    259 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 241 matching records exist across the two collections.

Results for "Amphitiatri Romani (Roman Ruins)"12 records

Institutions answered newest-first by record, interleaved

Amphitiatri Romani, from "Roman Ruins" by Wenceslaus Hollar, The Metropolitan Museum of Art

Amphitiatri Romani, from "Roman Ruins"

Wenceslaus Hollar (d. 1677)

ca. 1650 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Landscape with Roman Ruins by Cornelis van Poelenburch, The Metropolitan Museum of Art

Landscape with Roman Ruins

Cornelis van Poelenburch (d. 1667)

1609–67 · Pen and brown ink, brush and brown, green and gray wash over faint traces of black chalk. Pasted down.

Cleared · Public Domain

live
The MetSimilar
Roman remains at Tivoli, from "Roman Ruins" by Wenceslaus Hollar, The Metropolitan Museum of Art

Roman remains at Tivoli, from "Roman Ruins"

Wenceslaus Hollar (d. 1677)

1673 · Etching; first state of three

Cleared · Public Domain

live
The MetSimilar
Roman Ruins, from "Roman Ruins" by Wenceslaus Hollar, The Metropolitan Museum of Art

Roman Ruins, from "Roman Ruins"

Wenceslaus Hollar (d. 1677)

1673 · Etching; first state of three

Cleared · Public Domain

live
The MetSimilar
Capriccio with Roman Ruins by Marco Ricci, The Metropolitan Museum of Art

Capriccio with Roman Ruins

Marco Ricci (d. 1730)

1676–1730 · Gouache on paper

Cleared · Public Domain

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The MetSimilar
Camera sepolcrale inventata e disegnata conforme al costume, e all'antica magnificenza degl'Imperatori Romani... (Imaginary sepulcral chamber designed according to the fashion and ancient magnficence of the Roman Emperors...), from "Prima Parte di Architettura, e Prospettive" by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Camera sepolcrale inventata e disegnata conforme al costume, e all'antica magnificenza degl'Imperatori Romani... (Imaginary sepulcral chamber designed according to the fashion and ancient magnficence of the Roman Emperors...), from "Prima Parte di Architettura, e Prospettive"

Giovanni Battista Piranesi (d. 1778)

ca. 1750 · Etching

Cleared · Public Domain

live
The MetSimilar
Della Magnificenza e d'Architettura de' Romani (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Della Magnificenza e d'Architettura de' Romani (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London)

Giovanni Battista Piranesi (d. 1778)

1761, 1765 · Etchings and engravings

Cleared · Public Domain

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The MetSimilar
Various Roman Ionic capitals compared with Greek examples from Le Roy [S. Maria in Trastevere, S. Paoplo fuori le Mura, S. Clemente, etc.], tab. 20 from "Della Magnificenza e d'Architettura de'Romani" (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Various Roman Ionic capitals compared with Greek examples from Le Roy [S. Maria in Trastevere, S. Paoplo fuori le Mura, S. Clemente, etc.], tab. 20 from "Della Magnificenza e d'Architettura de'Romani" (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London)

Giovanni Battista Piranesi (d. 1778)

mid-18th century · Etching

Cleared · Public Domain

live
The MetSimilar
[Roman Ruins] by Giacomo Caneva, The Metropolitan Museum of Art

[Roman Ruins]

Giacomo Caneva (d. 1865)

1860s · Albumen silver print

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Roman Ruins: Title Page

Wenceslaus Hollar (d. 1677)

1650 · Etching; second state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Amphitiatri Romani (Roman Ruins)

Wenceslaus Hollar (d. 1677)

ca. 1650 · Etching; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Various Ionic capitals [Villa Albani, S. Clemente, S. Prassede, S. Priscia, etc.], tab. 12 from "Della Magnificenza e d'Architettura de'Romani" (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London)

Giovanni Battista Piranesi (d. 1778)

1761 · Etching

In copyright

live
The MetSimilar

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