Triangular Amulet Holder
Unrecorded maker
late 19th–early 20th century · Silver; with twisted wire chains and bells, chased and embossed decoration, and table-cut cut carnelians
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
759 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
419 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 35 matching records exist across the two collections.
Results for "Amulet Holder"12 records
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Amulet Holder
Unrecorded maker
late 19th–early 20th century · Silver and brass alloy; fire-gilded, with ram's-head terminals, loop-in-loop chains, bells, decorative wire, gilt-applied decoration, table-cut carnelians, and applique discs on leather
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Amulet Holder
Unrecorded maker
late 19th–early 20th century · Silver, fire-gilded and chased, silver shot, chains, bells, and table-cut carnelians
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Amulet Holder
Unrecorded maker
late 19th–early 20th century · Silver; fire-gilded and chased, with openwork, chains, table-cut carnelians, and turquoise beads
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Amulet Holder
Unrecorded maker
late 19th–early 20th century · Silver; gallery wired and twisted wire decoration with glass stones, silver link chains and embossed pendants.
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Amulet Holder
Unrecorded maker
early 20th century · Silver; fire-gilded with openwork and table-cut carnelians
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Amulet Holder
Unrecorded maker
late 19th–early 20th century · Silver; fire-gilded and chased, with applied decoration, silver beads, and table-cut carnelians; mounted on leather
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Amulet Holder
Unrecorded maker
late 19th–early 20th century · Silver; fire-gilded, with decorative wire, gilt applied decoration, table-cut carnelians, and turquoise beads
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Amulet Holder
Unrecorded maker
late 19th–early 20th century · Silver; fire-gilded and chased, with decorative wire, ram’s-head terminals, openwork, slightly domed cabochon and table-cut carnelians, turquoise beads, wire chains, and spherical bells
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Amulet Holder
Unrecorded maker
20th century · Silver; fire-gilded with openwork, decorative wire, and table cut carnelians
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Amulet Holder
Unrecorded maker
20th century · Silver; fire gilded, with openwork and table cut carnelians
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Amulet Holder
Unrecorded maker
20th century · Silver; with stamped beading, glass inlays over red lacquer, paper, or fabric backing, and chains
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.