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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    225 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    282 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 261 matching records exist across the two collections.

Results for "Amulet of a Crouching Bear"12 records

Institutions answered newest-first by record, interleaved

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion by an unrecorded maker, The Metropolitan Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion

Unrecorded maker

ca. 2150–2100 B.C. · Steatite

Cleared · Public Domain

live
The MetSimilar
Amulet of a Crouching Bear by an unrecorded maker, The Cleveland Museum of Art

Amulet of a Crouching Bear

Unrecorded maker

664–332 BCE · Amulets, green porphyry

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion by an unrecorded maker, The Metropolitan Museum of Art

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion

Unrecorded maker

ca. 2150–2100 B.C. · Steatite, glazed

Cleared · Public Domain

live
The MetSimilar
Scarab of a Priest of Hathor by an unrecorded maker, The Metropolitan Museum of Art

Scarab of a Priest of Hathor

Unrecorded maker

ca. 1850–1802 B.C. · Green feldspar

Cleared · Public Domain

live
The MetSimilar
Scarab of a Priest by an unrecorded maker, The Metropolitan Museum of Art

Scarab of a Priest

Unrecorded maker

ca. 1760–1670 B.C. · Glazed steatite

Cleared · Public Domain

live
The MetSimilar
Scarab of an Official by an unrecorded maker, The Metropolitan Museum of Art

Scarab of an Official

Unrecorded maker

ca. 1760–1670 B.C. · Green glazed steatite

Cleared · Public Domain

live
The MetSimilar
Scarab of an Official by an unrecorded maker, The Metropolitan Museum of Art

Scarab of an Official

Unrecorded maker

ca. 1770–1670 B.C. · Bright blue glazed steatite

Cleared · Public Domain

live
The MetSimilar
Scarab of an Official by an unrecorded maker, The Metropolitan Museum of Art

Scarab of an Official

Unrecorded maker

ca. 1740–1640 B.C. · Bright blue glazed steatite

Cleared · Public Domain

live
The MetSimilar
Scarab of an Official by an unrecorded maker, The Metropolitan Museum of Art

Scarab of an Official

Unrecorded maker

ca. 1740–1640 B.C. · Brigth blue glazed steatite

Cleared · Public Domain

live
The MetSimilar
Ibex-Shaped Design Amulet Inscribed With A Crocodile and A Fish by an unrecorded maker, The Metropolitan Museum of Art

Ibex-Shaped Design Amulet Inscribed With A Crocodile and A Fish

Unrecorded maker

ca. 1550–1300 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Faience statuette of Aphrodite by an unrecorded maker, The Metropolitan Museum of Art

Faience statuette of Aphrodite

Unrecorded maker

334–30 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Faience statuette of Aphrodite by an unrecorded maker, The Metropolitan Museum of Art

Faience statuette of Aphrodite

Unrecorded maker

334–30 BCE · Faience

Cleared · Public Domain

live
The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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