
Papyrus inscribed with an account and a religious text
Unrecorded maker
ca. 1961–1917 B.C. · Papyrus, ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
207 ms. The Metropolitan Museum of Art, Collection API (Open Access)
327 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,114 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Papyrus inscribed with an account and a religious text
Unrecorded maker
ca. 1961–1917 B.C. · Papyrus, ink
Cleared · Public Domain
live
Illustrated Legends of the Origins of the Kumano Shrines
Unrecorded maker
late 16th–early 17th century · Set of three handscrolls; ink and color on paper
Cleared · Public Domain
live
Johnny writes an account of the action to his mother, which afterwards appears in the Star
Thomas Rowlandson (d. 1827)
1815 · Hand-colored etching and aquatint
Cleared · Public Domain
live
Nineveh and Its Remains: With an Account of a Visit to the Chaldæan Christians of Kurdistan, and the Yezidis, or Devil Worshippers; and an Inquiry into the Manners and Arts of the Ancient Assyrians
Unrecorded maker
1849 · Paper, board, cloth
Cleared · Public Domain
live
Assyrian Discoveries: An Account of Explorations and Discoveries on the Site of Nineveh during 1873 and 1874
Unrecorded maker
1875 · Paper, board, cloth
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Account Ostracon
Unrecorded maker
ca. 1981–1975 B.C. · Limestone, ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hieratic Ostracon with work account
Unrecorded maker
ca. 1300–1080 BCE · Limestone, ink, paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An account of the first aerial voyage in England...
Vincent Lunardi (d. 1806)
1784 · Illustrations: stipple engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Biographical Dictionary; Containing an Historical Account of All the Engravers...
Joseph Strutt (d. 1802)
1785 · Illustrations: etching, engraving, aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An Account of the Remains of the Worship of Priapus, Lately Existing at Isernia, in the Kingdom of Naples: in Two letters...To Which is Added, A Discourse on the Worship of Priapus, And Its Connexion with the Mystic Theology of the Ancients
Richard Payne Knight (d. 1824)
1786 · Illustrations: etching, engraving, stipple
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Ruins of Pompeii. A Series of Eighteen Photographic Views. With an Account of the Destruction of the City, and a Description of the Most Interesting Remains
Giorgio Sommer (d. 1914)
1860s · Albumen silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An account of what was seen and heard at the opening of the Port of Yokohama
Gyoku Ransai Hashimoto (d. 1950)
ca. 1900 (?) · Woodcuts and colored woodcuts
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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