
Trees by an entrance to a park
Theodosius Forrest (d. 1784)
1760–75 · Graphite, brush and green and ochre wash or watercolor
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
251 ms. The Metropolitan Museum of Art, Collection API (Open Access)
333 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,245 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Trees by an entrance to a park
Theodosius Forrest (d. 1784)
1760–75 · Graphite, brush and green and ochre wash or watercolor
Cleared · Public Domain
live
Trees by the lake, Peamore Park, near Exeter, Devon
Francis Towne (d. 1816)
1790–1810 · Watercolor over traces of graphite; laid down on original mount
Cleared · Public Domain
live
An Allée of Trees in a Park (recto); The Ruins of a Building on a Hill (verso)
Georges Michel (d. 1843)
n.d. · Black chalk with gray wash and watercolor (recto); pen and ink over black chalk with gray wash (verso)
Cleared · Public Domain
live
Cedar trees in a park
George Richmond (d. 1896)
1840–70 · Black, red and white chalk on brown paper
Cleared · Public Domain
live
Allée of Chestnut Trees
Alfred Sisley (d. 1899)
1878 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An Allée in the Woods
Sir Edward John Poynter (d. 1919)
1859 · Watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Spring in Central Park (recto); Three Figures (verso)
William Zorach (d. 1966)
1914 (recto); ca. 1920 (verso) · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Pensive Man Sitting on a Bench in a Park (Der Auf Einer Bank In Der Allee Sitzende Nachdenkliche Mann), from The Man of Fifty Years
Max Liebermann (d. 1935)
1920 · Line block; proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Scene in a Park (recto); Village Houses (verso)
Jacques Thévenet (d. 1989)
1926 · Gouache and watercolor on paper (recto) ; Brush and black ink and wash on paper (verso)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pine Trees in Pushkin Park
Alexander Rodchenko (d. 1956)
1927 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Abolitionists in the Park
Nicole Eisenman (d. 9999)
2020–22 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.