
Relief with Half Figure of an Angel
Unrecorded maker
ca. 1430–35 · Marble (Lunense marble from Carrara)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
242 ms. The Metropolitan Museum of Art, Collection API (Open Access)
447 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 163 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Relief with Half Figure of an Angel
Unrecorded maker
ca. 1430–35 · Marble (Lunense marble from Carrara)
Cleared · Public Domain
live
Holy Family with an Angel
Raffaellino del Garbo (also known as Raffaelle de' Capponi and Raffaelle de' Carli) (d. 1527)
ca. 1490 · Tempera on canvas, transferred from wood
Cleared · Public Domain
live
Saint Christopher Carrying Christ
Unrecorded maker
1510–20 · Limewood
Cleared · Public Domain
live
The Madonna Adoring the Child, with an Angel
Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) (d. 1536)
early 16th century · Pen and brown ink, traces of white, over red chalk underdrawing of the Madonna.
Cleared · Public Domain
live
Death carrying a child, from 'The five deaths' (Les cinq Morts)
Stefano della Bella (d. 1664)
ca. 1648 · Etching; second state of three
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 19j: The Flight into Egypt; an angel leding the donkey carrying the Virgin and Child, followed by Saint Joseph on the left
Andrea Schiavone (Andrea Meldola) (d. 1563)
1535–40 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An Angel Carrying a Child (from A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters)
James Basire, the elder (d. 1802)
1765–69 · Etching and mezzotint, printed in brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mary, helped by an Angel, and Joseph carrying the Basket, passing a Flock, from "The Flight into Egypt"
Giovanni Domenico Tiepolo (d. 1804)
ca. 1753 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mary, helped by an Angel, and Joseph carrying the Basket, passing a Flock, from "The Flight into Egypt"
Giovanni Domenico Tiepolo (d. 1804)
ca. 1753 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Madonna and child with a woman carrying an infant and a bearded man, from "Prove di Vari Rami Inediti [...]"
Francesco Rosaspina (d. 1841)
19th century · Etching; counterproof before aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Madonna and child with a woman carrying an infant and a bearded man, from "Prove di Vari Rami Inediti [...]"
Francesco Rosaspina (d. 1841)
19th century · Etching; proof before aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Madonna and child with a woman carrying an infant and a bearded man, from "Prove di Vari Rami Inediti [...]"
Francesco Rosaspina (d. 1841)
19th century · Etching and aquatint with brown ink
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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