
An Architectural Monstrance
Anonymous, French, 16th century (d. 1600)
ca. 1530–40 · Etching with gray wash
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
558 ms. The Metropolitan Museum of Art, Collection API (Open Access)
309 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,230 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

An Architectural Monstrance
Anonymous, French, 16th century (d. 1600)
ca. 1530–40 · Etching with gray wash
Cleared · Public Domain
live
Religion Kneeling before a Monstrance, Attended by Putti
Cigoli (Ludovico Cardi) (d. 1613)
1559–1613 · Pen and brown ink, brush and brown wash, over black chalk
Cleared · Public Domain
live
A Male Saint Followed by a Group of Men, Pointing to a Monstrance on an Altar
Giovanni Battista Trotti ("Il Malosso") (d. 1619)
1555–1619 · Pen and brown ink, brush and gray wash; squared in red chalk
Cleared · Public Domain
live
Design for an Architectural Frieze
Anonymous, Italian, mid-16th century (d. 1580)
17th century · Pen and brown ink, brush and brown wash
Cleared · Public Domain
live
An Architectural Capriccio
Luc Vincent Thiery de Sainte Colombe (d. 1812)
1772 · Etching
Cleared · Public Domain
live
An Architectural Capriccio
Luc Vincent Thiery de Sainte Colombe (d. 1812)
ca. 1772 · Pen and brown ink, brush and brown wash
Cleared · Public Domain
live
Fragment of an Architectural Design
Anonymous, French, 18th century (d. 1800)
18th century · Pen and black ink, brush and gray wash.
Cleared · Public Domain
live
Design for an Architectural Interior
Pierre Nicolas Ransonnette (d. 1810)
n.d. · Pen and black ink, brush and gray, blue and brown wash
Cleared · Public Domain
live
Design for a Monstrance (Presented to the City of Trieste by King Louis XVIII)
Louis Lafitte (d. 1828)
ca. 1814–19 · Pen and brown ink, brush and brown wash
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An Architectural Capriccio
Louis Joseph Le Lorrain (d. 1759)
late 18th century · Pen and black ink, brush and gray wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sketch for an architectural magazine
Anonymous, British, late 19th to early 20th century (d. 1920)
ca. 1900 · Pen and ink over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sketch for an architectural magazine
Anonymous, British, late 19th to early 20th century (d. 1920)
ca. 1900 · Pen and ink over graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.