
An Officer of the Corps of Bowmen
William Alexander (d. 1816)
1797–1805 · Watercolor over graphite
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
280 ms. The Metropolitan Museum of Art, Collection API (Open Access)
457 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,332 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

An Officer of the Corps of Bowmen
William Alexander (d. 1816)
1797–1805 · Watercolor over graphite
Cleared · Public Domain
live
The Embassy Leave the Metropolitan for the City Hall, the Seventh Regiment Form a Hollow Square With the Carriages of the Embassy in the Middle
Edward Anthony (d. 1888)
1860 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Transactions of the Apollo Association for the Promotion of the Fine Arts, in the United States, for the Year 1842
Apollo Association for the Promotion of the Fine Arts (d. 1851)
1842 · Illustration: etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An Embassy for the United States in Paris, elevation
Douglas D. Ellington (d. 1960)
1911 · Graphite, pen and black ink, gray and brown wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An Embassy for the United States in Paris, plan
Douglas D. Ellington (d. 1960)
1911 · Graphite, pen and black ink, gray and brown wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An Embassy for the United States in Paris, site plan
Douglas D. Ellington (d. 1960)
1911 · Graphite, pen and black ink, gray and brown wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An Exhibition Center, elevation
Lloyd Morgan (d. 1999)
1921 · Graphite, pen and black ink, gray and brown wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An Exhibition Center, section
Lloyd Morgan (d. 1999)
1921 · Graphite, pen and black ink, gray and brown wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An Office and Reception Building for the President of the United States
Lee Rombotis (d. 1999)
1923 · Graphite, pen and black ink, gray and brown wash heightened with white
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An Office and Reception Building for the President of the United States, elevation
Lee Rombotis (d. 1999)
1923 · Graphite, pen and black ink, gray and brown wash heightened with white
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An Office and Reception Building for the President of the United States, plan
Lee Rombotis (d. 1999)
1923 · Graphite, pen and black ink, gray and brown wash heightened with white
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Ballroom for the Beaux Arts Ball, The Opening Pageant for "An Expedition to the Kingdom of Poseidon", plan, section, and costume sketches
George A. Downs (d. 1999)
1939 · Graphite, pen and black ink, gray and brown wash
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.