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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    280 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    457 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 5,332 matching records exist across the two collections.

Results for "An Embassy for the United States in Pari"12 records

Institutions answered newest-first by record, interleaved

An Officer of the Corps of Bowmen by William Alexander, The Metropolitan Museum of Art

An Officer of the Corps of Bowmen

William Alexander (d. 1816)

1797–1805 · Watercolor over graphite

Cleared · Public Domain

live
The MetSimilar
The Embassy Leave the Metropolitan for the City Hall, the Seventh Regiment Form a Hollow Square With the Carriages of the Embassy in the Middle by Edward Anthony, The Metropolitan Museum of Art

The Embassy Leave the Metropolitan for the City Hall, the Seventh Regiment Form a Hollow Square With the Carriages of the Embassy in the Middle

Edward Anthony (d. 1888)

1860 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Transactions of the Apollo Association for the Promotion of the Fine Arts, in the United States, for the Year 1842

Apollo Association for the Promotion of the Fine Arts (d. 1851)

1842 · Illustration: etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An Embassy for the United States in Paris, elevation

Douglas D. Ellington (d. 1960)

1911 · Graphite, pen and black ink, gray and brown wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An Embassy for the United States in Paris, plan

Douglas D. Ellington (d. 1960)

1911 · Graphite, pen and black ink, gray and brown wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An Embassy for the United States in Paris, site plan

Douglas D. Ellington (d. 1960)

1911 · Graphite, pen and black ink, gray and brown wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An Exhibition Center, elevation

Lloyd Morgan (d. 1999)

1921 · Graphite, pen and black ink, gray and brown wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An Exhibition Center, section

Lloyd Morgan (d. 1999)

1921 · Graphite, pen and black ink, gray and brown wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An Office and Reception Building for the President of the United States

Lee Rombotis (d. 1999)

1923 · Graphite, pen and black ink, gray and brown wash heightened with white

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An Office and Reception Building for the President of the United States, elevation

Lee Rombotis (d. 1999)

1923 · Graphite, pen and black ink, gray and brown wash heightened with white

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An Office and Reception Building for the President of the United States, plan

Lee Rombotis (d. 1999)

1923 · Graphite, pen and black ink, gray and brown wash heightened with white

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Ballroom for the Beaux Arts Ball, The Opening Pageant for "An Expedition to the Kingdom of Poseidon", plan, section, and costume sketches

George A. Downs (d. 1999)

1939 · Graphite, pen and black ink, gray and brown wash

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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