Icon with the Crucifixion
Unrecorded maker
mid-10th century · Elephant ivory
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
196 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
393 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 38 matching records exist across the two collections.
Results for "An apostle and three semi-nude youths, a"12 records
Institutions answered newest-first by record, interleaved
Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso)
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
ca. 1522 · Red chalk
Cleared · Public Domain
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A Bearded Prophet in Glory Attended by a Bishop, Two Other Male Saints, and Angels (Design for a Section of a Dome)
Giovanni Lanfranco (d. 1647)
1634–35 · Black chalk, partly reworked by the artist in pen and brown ink
Cleared · Public Domain
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The Reclining Headless Body of Holofernes; Study of Female Semi-Nude Figure (on a small separate, unrelated sheet of blue paper, pasted onto the lower left of the large sheet)
Guido Reni (d. 1642)
1625–40 · Black chalk on brownish paper that may have been originally blue (Holofernes); black chalk on blue paper (female figure)
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An apostle and four semi-nude youths, a torch at right, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni (d. 1660)
1642 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An apostle and four semi-nude youths, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni (d. 1660)
1642 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An apostle and three semi-nude youths, a torch at center, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni (d. 1660)
1642 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two apostles and three semi-nude youths, a torch at center, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni (d. 1660)
1642 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two apostles and three semi-nude youths, a torch at center, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni (d. 1660)
1642 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An apostle and four semi-nude youths, after Correggio's frescoes from the cupola of the Parma Cathedral
Domenico Maria Bonavera (d. 1731)
1697 · Etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for a Silver Casket (recto); Porcelain Candelabrum (verso) from the Vienna Exhibition of 1873
Anonymous, German, 19th century (d. 1899)
1874 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ensemble
John Galliano
1984, edition 2018 · (a) silk, cotton, mohair, copper-plated steel, (b) cotton, mother-of-pearl, (c) cotton, (d) cotton, wool, copper-plated steel, (e) silk, (f) silk, (g) glass, clay, (h) cherry wood, metal, (i) wool
In copyright
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2. Read the arithmetic
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