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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    707 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    482 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 24 matching records exist across the two collections.

Results for "An apostle with four youths, after Corre"12 records

Institutions answered newest-first by record, interleaved

Terracotta calyx-krater (bowl for mixing wine and water) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta calyx-krater (bowl for mixing wine and water)

Unrecorded maker

4th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An apostle and four semi-nude youths, a torch at right, after Correggio's frescoes from the cupola of the Parma Cathedral

Giovanni Battista Vanni (d. 1660)

1642 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An apostle and four semi-nude youths, after Correggio's frescoes from the cupola of the Parma Cathedral

Giovanni Battista Vanni (d. 1660)

1642 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An apostle with four youths, after Correggio's frescoes from the cupola of the Parma Cathedral

Giovanni Battista Vanni (d. 1660)

1642 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bishop Saint Hilary surrounded by four youths, one at right holding an open book, in a cupola with cockle shells and festoons of fruit above, after Correggio's frescoes from the cupola of the Parma Cathedral

Giovanni Battista Vanni (d. 1660)

1642 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Marguerite Lemon, Angloise (Margaret Lemon, Englishwoman)

Wenceslaus Hollar (d. 1677)

1646 · Etching; second state of two according to Pennington who notes a first state before letters in the Albertina.

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An apostle and four semi-nude youths, after Correggio's frescoes from the cupola of the Parma Cathedral

Domenico Maria Bonavera (d. 1731)

1697 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Devotion

John Raphael Smith (d. 1812)

1785 · Soft-ground etching and stipple engraving, partly printed in color

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 6

Rudolph Ackermann, London (d. 1832)

July–December 1811 · Illustrations: etching, engraving, woodcut, hand-coloring, and textile samples

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Four Poems in Cursive Script

Yu Youren (d. 1964)

dateable to 1958 · Hanging scroll; ink on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Photobooth Self-Portrait

Andy Warhol (d. 1987)

ca. 1963 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Golden Tablets

Shinoda Tōkō 篠田桃紅 (d. 2021)

2011 · Ink and gofun (ground-shell pigment) on gilded paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.