Battle of the Nude Men
Antonio Pollaiuolo (d. 1498)
ca. 1470–90 · Engraving
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
874 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
285 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 27 matching records exist across the two collections.
Results for "Anatomical Ilustrations of the muscle gr"12 records
Institutions answered newest-first by record, interleaved
Title Page and Dedication for the "Compendiosa totius Anatomiae delineatio"
Thomas Geminus (d. 1562)
1545 · Engraving and letterpress
Cleared · Public Domain
liveThe MetSimilar
Anatomical Studies: a left forearm in two positions and a right forearm
Peter Paul Rubens (d. 1640)
ca. 1600–05 · Pen and brown ink
Cleared · Public Domain
liveThe MetSimilar
Studies of Arms, Shoulders and Hands
Giacomo Franco (d. 1620)
1548–1628 · Pen and brown ink, brush and brown wash, over red chalk
Cleared · Public Domain
liveThe MetSimilar
Myologie Complette en Couleur et Grandeur Naturelle
Joseph Guichard Duverney (d. 1730)
1746 · Illustrations: color mezzotints
Cleared · Public Domain
liveThe MetSimilar
The Thirty-six Immortals of Haikai Verse (Haikai sanjūrokkasen) 俳諧三十六歌僊
Yosa Buson 与謝蕪村 (d. 1783)
1799, (Kansei 11) · Woodblock printed book; ink with hand-coloring on paper
Cleared · Public Domain
liveThe MetSimilar
The Thirty-six Immortals of Poetry (Sanjūrokkasen) 三十六歌仙
Yosa Buson 与謝蕪村 (d. 1783)
1799 (published posthumously) · Woodblock printed book; ink on paper
Cleared · Public Domain
liveThe MetSimilar
Electro–Physiologie, Figure 64
Adrien Tournachon (d. 1903)
1854–56, printed 1862 · Albumen silver print from glass negative
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Anatomical Ilustrations of the muscle groups as seen from the back
Nicolas Beatrizet (d. 1566)
1556 (?) · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Views of the Head (plate 4), in Myologie Complette en Couleur et Grandeur Naturelle
Joseph Guichard Duverney (d. 1730)
1746 · Color mezzotint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Anatomical Studies of the Bones & Muscles for the use of artists from drawings by the late John Flaxman, esq. R.A.
William Robertson (d. 1933)
1833 · Illustrations: engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Anatomical Studies of the Bones and Muscles for the Use of the Artists
John Flaxman (d. 1826)
1833
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.