
The Laotian Goddess Ki Mao Sao and Worshippers
Bow Porcelain Factory (d. 1776)
ca. 1750–52 · Soft-paste porcelain
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
355 ms. The Metropolitan Museum of Art, Collection API (Open Access)
334 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 199 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Laotian Goddess Ki Mao Sao and Worshippers
Bow Porcelain Factory (d. 1776)
ca. 1750–52 · Soft-paste porcelain
Cleared · Public Domain
live
Karnak (Thèbes), Palais - Salle Hypostyle - Décoration de la Paroi Intérieure au Point L
Félix Teynard (d. 1892)
1851–52, printed 1853–54 · Salted paper print from paper negative
Cleared · Public Domain
live
Karnak (Thèbes), Palais - Salle Hypostyle - Décoration de la Paroi Intérieure au Point M
Félix Teynard (d. 1892)
1851–52, printed 1853–54 · Salted paper print from paper negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Vierge Marie est Présentée au Temple (The Virgin is Presented in the Temple), from "La Vie de La Sainte Vierge" (The Life of the Virgin)
Jacques Callot (d. 1635)
ca. 1633 · Etching; second state of three (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Igia, Déesse de la Santé Au Palais Justiniani, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ancien Temple de la Déesse de la Toux auprès de Tivoli, plate 2 from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Dominico Montagu
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Féste de Lanurium, Jugurtha livré à Sylla, from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Jean Barbault (d. 1762)
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fragments d'un Basrelief Antique representant Le Dieu Mitras, from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Jean Barbault (d. 1762)
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
1267 - Relief au temple de la Victoire-Aptère à Athènes (No. 1)
Papeterie et Librairie D'Amerval
1860s · Albumen silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sculptures dans le Temple de Ramessès III, au fond de la 2e cour, à droite
Félix Bonfils (d. 1885)
after 1867 · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sculptures dans le Temple de Ramessès III, au fond de la 2e cour, à droite
Félix Bonfils (d. 1885)
after 1867 · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Temple de Mouth et Statues de la Déesse Pacht
Wilhelm Hammerschmidt (d. 1869)
1860s–70s · Albumen silver print from glass negative
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.