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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    468 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    441 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 162 matching records exist across the two collections.

Results for "Ancient Concerts – A Rehearsal"12 records

Institutions answered newest-first by record, interleaved

Marble female figure by an unrecorded maker, The Metropolitan Museum of Art

Marble female figure

Unrecorded maker

4500–4000 BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Statuette of a female by an unrecorded maker, The Metropolitan Museum of Art

Statuette of a female

Unrecorded maker

ca. early 1st millennium BCE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Double bird pendant by an unrecorded maker, The Metropolitan Museum of Art

Double bird pendant

Unrecorded maker

950-1100 CE · Gold, rose quartz

Cleared · Public Domain

live
The MetSimilar
Oil Lamp in the Form of a Sphinx by Andrea Briosco, called Riccio, The Metropolitan Museum of Art

Oil Lamp in the Form of a Sphinx

Andrea Briosco, called Riccio (d. 1532)

mid-16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Ancient Concerts – A Rehearsal by John Doyle, The Metropolitan Museum of Art

Ancient Concerts – A Rehearsal

John Doyle (d. 1868)

May 14, 1838 · Lithograph

Cleared · Public Domain

live
The MetSimilar
Bun’ya no Asayasu (no. 36), from the series  A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Bun'ya no Asayasu) by Utagawa Kunisada, The Metropolitan Museum of Art

Bun’ya no Asayasu (no. 36), from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Bun'ya no Asayasu)

Utagawa Kunisada (d. 1864)

ca. 1844 · Woodblock print (nishiki-e); vertical ōban; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Mibu no Tadamine (no. 37), from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Mibu no Tadamine) by Utagawa Kunisada, The Metropolitan Museum of Art

Mibu no Tadamine (no. 37), from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Mibu no Tadamine)

Utagawa Kunisada (d. 1864)

ca. 1844 · Woodblock print (nishiki-e); vertical oban; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Forgery figure

Unrecorded maker

ca. 1908 · Unalloyed copper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nude

Arthur B. Davies (d. 1928)

ca. 1914–18, cast ca. 1918 · Bronze

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for mausoleum window

Louis C. Tiffany (d. 1933)

late 19th–early 20th century · Watercolor on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Passage Across the Sun

Susan Schwalb (d. 9999)

2008 · Etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Streams of Silver

Susan Schwalb (d. 9999)

2011 · Etching and aquatint with hand-coloring

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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