
Marble female figure
Unrecorded maker
4500–4000 BCE · Marble
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
468 ms. The Metropolitan Museum of Art, Collection API (Open Access)
441 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 162 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Marble female figure
Unrecorded maker
4500–4000 BCE · Marble
Cleared · Public Domain
live
Statuette of a female
Unrecorded maker
ca. early 1st millennium BCE · Ceramic
Cleared · Public Domain
live
Double bird pendant
Unrecorded maker
950-1100 CE · Gold, rose quartz
Cleared · Public Domain
live
Oil Lamp in the Form of a Sphinx
Andrea Briosco, called Riccio (d. 1532)
mid-16th century · Bronze
Cleared · Public Domain
live
Ancient Concerts – A Rehearsal
John Doyle (d. 1868)
May 14, 1838 · Lithograph
Cleared · Public Domain
live
Bun’ya no Asayasu (no. 36), from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Bun'ya no Asayasu)
Utagawa Kunisada (d. 1864)
ca. 1844 · Woodblock print (nishiki-e); vertical ōban; ink and color on paper
Cleared · Public Domain
live
Mibu no Tadamine (no. 37), from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Mibu no Tadamine)
Utagawa Kunisada (d. 1864)
ca. 1844 · Woodblock print (nishiki-e); vertical oban; ink and color on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Forgery figure
Unrecorded maker
ca. 1908 · Unalloyed copper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nude
Arthur B. Davies (d. 1928)
ca. 1914–18, cast ca. 1918 · Bronze
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for mausoleum window
Louis C. Tiffany (d. 1933)
late 19th–early 20th century · Watercolor on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Passage Across the Sun
Susan Schwalb (d. 9999)
2008 · Etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Streams of Silver
Susan Schwalb (d. 9999)
2011 · Etching and aquatint with hand-coloring
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.