Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    331 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    535 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 293 matching records exist across the two collections.

Results for "And His House is on Fire, Plate 18"12 records

Institutions answered newest-first by record, interleaved

House model by Nayarit artist(s), The Metropolitan Museum of Art

House model

Nayarit artist(s)

200 BCE–300 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
And His House is on Fire, Plate 18 by Francisco de Goya, The Cleveland Museum of Art

And His House is on Fire, Plate 18

Francisco de Goya (d. 1828)

1799 (printed c. 1855) · Print, etching and aquatint

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Plate 18 from "Los Caprichos": And his house is on fire (Ysele quema la Casa) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 18 from "Los Caprichos": And his house is on fire (Ysele quema la Casa)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching and burnished aquatint

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mucius Scaevola putting his hand in the fire

Antonio da Trento (d. 1550)

ca. 1540–50 · Chiaroscuro woodcut from two blocks in green

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Moral Emblems: Fire and Water

Etienne Delaune (d. 1583)

1580 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Whistler's House, Old Chelsea

Sir Francis Seymour Haden (d. 1910)

1863 · Etching and drypoint; second state of two (Harrington); seventh state of seven (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Whistler's House, Old Chelsea

Sir Francis Seymour Haden (d. 1910)

1863 · Etching and drypoint; second state of two (Harrington); seventh state of seven (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Moat House

Sir Francis Seymour Haden (d. 1910)

1865 · Etching and drypoint; first state of two (Harrington); third state of four (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Darktown Fire Brigade -- Saved!

Thomas B. Worth (d. 1917)

1884 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Darktown Fire Brigade -- To the Rescue!

Thomas B. Worth (d. 1917)

1884 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Somerset House

Sir Muirhead Bone (d. 1953)

1905 · Drypoint; trial proof E, printed with plate tone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

House of Fire

James Rosenquist (d. 2017)

1981 · Oil on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.