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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    204 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    328 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 101 matching records exist across the two collections.

Results for "And I, John, Saw the Holy City, New Jeru"12 records

Institutions answered newest-first by record, interleaved

Ulysses at the Table of Circe (The Odyssey of Homer) by John Flaxman, The Metropolitan Museum of Art

Ulysses at the Table of Circe (The Odyssey of Homer)

John Flaxman (d. 1826)

1805 · Line engraving

Cleared · Public Domain

live
The MetSimilar
Panoramic View of the Palace and Gardens of Versailles by John Vanderlyn, The Metropolitan Museum of Art

Panoramic View of the Palace and Gardens of Versailles

John Vanderlyn (d. 1852)

1818–19 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Welcome: Stained Glass Window from the Mrs. George T. Bliss House, New York by John La Farge, The Metropolitan Museum of Art

Welcome: Stained Glass Window from the Mrs. George T. Bliss House, New York

John La Farge (d. 1910)

1908–9 · Leaded opalescent glass, cloisonne glass, copper wire, paint

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A View of Fort George with the City of New York from the S.W.

John Carwitham (d. 1741)

after 1764 · Hand-colored engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the ruins of St. George's Chapel in the City of New York, Which was destroyed by fire on the morning of the 5 of January, 1814, between 2 and 3 O'clock

John Rubens Smith (d. 1849)

ca. 1814 · Hand-colored etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Broadway and City Hall in New York (Brodway-Gatan Och Rådhuset i New York)

Axel Klinckowström (d. 1837)

1824 · Aquatint and etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Darktown Law Suit--Cheerful Milker, "De Plaintiff has de head and de defendant de tail but I git de cream all de time."

John Cameron (d. 1896)

1886 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Darktown Bicycle Club -- Knocked Out: "Dar! I knowed dem Odd Fellers was a breedin mischief."

John Cameron (d. 1896)

1892 · Colored lithograph (printed color with some hand coloring)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Darktown Bicycle Race -- A Sudden Halt: "I knowd we'd have busted de record if it hadn't bin for dis misforchin."

John Cameron (d. 1896)

1895 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Darktown Yacht Club--Ladies Day: In cose I will, Honey

John Cameron (d. 1896)

1896 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Brooklyn Bridge

John Marin (d. 1953)

ca. 1912 · Watercolor and charcoal on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Saint Paul's, Manhattan

John Marin (d. 1953)

1914 · Watercolor and charcoal on paper

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.