
Annunciation Triptych (Merode Altarpiece)
Robert Campin (d. 1444)
ca. 1427–32 · Oil on oak
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
298 ms. The Metropolitan Museum of Art, Collection API (Open Access)
307 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Annunciation Triptych (Merode Altarpiece)
Robert Campin (d. 1444)
ca. 1427–32 · Oil on oak
Cleared · Public Domain
live
The Angel with the Key to Bottomless Pit
Albrecht Dürer (d. 1528)
1511 · Woodcut
Cleared · Public Domain
live
Left Gauntlet
Unrecorded maker
ca. 1485–95 · Steel
Cleared · Public Domain
live
Triompho di Fortuna
Sigismundo Fanti (d. 1550)
January 1526 · Printed book with woodcut illustrations
Cleared · Public Domain
live
Wall clock (pendule en cartel)
Jean Godde l'aîné (d. 1749)
ca. 1740–45 · Case: gilded bronze, oak, and tortoiseshell on brass marquetry on oak; Dial: white enamel and gilded brass with blued-steel hands; Movement: brass and steel
Cleared · Public Domain
live
Longcase clock
Hermann Achenbach (d. 1825)
ca. 1774–75 · Case: oak veneered with maple, burl woods, holly, and hornbeam (all partly stained), and other woods; mother-of-pearl; gilded bronze; and brass; Dial: partly gilded and partly silvered brass and enameled and painted copper; Movement: brass and steel
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Bottle
Juan Gris (d. 1927)
Paris, spring–summer 1914 · Conté crayon, wax crayon, gouache, watercolor, cut-and-pasted newspaper, printed wallpaper (two types), white, brown, and tan wove cut papers; adhered overall onto newspaper, mounted to primed canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Times are hard your majesty – you leave us nothing to do
Louis Raemaekers (d. 1956)
ca. 1918 · Commercial color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Incubus"
Simon Costin (d. 9999)
1987 · a) silver, copper, glass, baroque pearls and human sperm; b) paper, laminate, silk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oni (Devil) Hagi Teabowl
Miwa Kyūsetsu XI (d. 2012)
1988–89 · Stoneware with feldspar glaze mixed with ash (Hagi ware)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.