
Appliqué with Diomedes and Andromache
Unrecorded maker
4th century CE · Bronze, Silver
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
273 ms. The Metropolitan Museum of Art, Collection API (Open Access)
1839 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 23 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Appliqué with Diomedes and Andromache
Unrecorded maker
4th century CE · Bronze, Silver
Cleared · Public Domain
live
Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III)
Master of the Aeneid (d. 1545)
ca. 1530–35 · Painted enamel on copper, partly gilt
Cleared · Public Domain
live
Astyanax taken from Andromache
Louis Desplaces (d. 1739)
1700–39 · Engraving
Cleared · Public Domain
live
Hector's Farewell to Andromache and Astyanax
Sebastiano Galeotti (d. 1741)
1676–1741/46 · Pen and brown ink, brush and gray wash, highlighted with white, on brown washed paper
Cleared · Public Domain
live
Hector taking leave of Andromache: the Fright of Astyanax
Benjamin West (d. 1820)
1766 · Pen and brown ink, brush and brown wash and blue watercolor, touches of gouache (bodycolor), over traces of black chalk
Cleared · Public Domain
live
Andromache and Astyanax
Pierre Paul Prud'hon (d. 1823)
ca. 1798 · Pen and gray ink with brush and brown wash over traces of black chalk
Cleared · Public Domain
live
Study for Astyanax’s Nurse
Pierre Paul Prud'hon (d. 1823)
ca. 1812 · Black and white chalk, with stumping, on blue paper
Cleared · Public Domain
live
Study of Drapery
Pierre Paul Prud'hon (d. 1823)
ca. 1813 · Black and white chalk with stumping on blue paper, some squaring in black chalk
Cleared · Public Domain
live
Andromache and Astyanax
Pierre Paul Prud'hon (d. 1823)
?1813–17; 1823–24? · Oil on canvas
Cleared · Public Domain
live
Hector and Andromache
Giovanni Maria Benzoni (d. 1873)
1871 · Marble
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Last Interview of Hector and Andromache
Luigi Schiavonetti (d. 1810)
ca. 1769 · Stipple engraving and etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Last Interview of Hector and Andromache
Luigi Schiavonetti (d. 1810)
ca. 1790 · Stipple engraving, printed in color
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.