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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    273 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    1839 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 23 matching records exist across the two collections.

Results for "Andromache and Astyanax"12 records

Institutions answered newest-first by record, interleaved

Appliqué with Diomedes and Andromache by an unrecorded maker, The Metropolitan Museum of Art

Appliqué with Diomedes and Andromache

Unrecorded maker

4th century CE · Bronze, Silver

Cleared · Public Domain

live
The MetSimilar
Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III) by Master of the Aeneid, The Metropolitan Museum of Art

Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III)

Master of the Aeneid (d. 1545)

ca. 1530–35 · Painted enamel on copper, partly gilt

Cleared · Public Domain

live
The MetSimilar
Astyanax taken from Andromache by Louis Desplaces, The Metropolitan Museum of Art

Astyanax taken from Andromache

Louis Desplaces (d. 1739)

1700–39 · Engraving

Cleared · Public Domain

live
The MetSimilar
Hector's Farewell to Andromache and Astyanax by Sebastiano Galeotti, The Metropolitan Museum of Art

Hector's Farewell to Andromache and Astyanax

Sebastiano Galeotti (d. 1741)

1676–1741/46 · Pen and brown ink, brush and gray wash, highlighted with white, on brown washed paper

Cleared · Public Domain

live
The MetSimilar
Hector taking leave of Andromache: the Fright of Astyanax by Benjamin West, The Metropolitan Museum of Art

Hector taking leave of Andromache: the Fright of Astyanax

Benjamin West (d. 1820)

1766 · Pen and brown ink, brush and brown wash and blue watercolor, touches of gouache (bodycolor), over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
Andromache and Astyanax by Pierre Paul Prud'hon, The Metropolitan Museum of Art

Andromache and Astyanax

Pierre Paul Prud'hon (d. 1823)

ca. 1798 · Pen and gray ink with brush and brown wash over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
Study for Astyanax’s Nurse by Pierre Paul Prud'hon, The Metropolitan Museum of Art

Study for Astyanax’s Nurse

Pierre Paul Prud'hon (d. 1823)

ca. 1812 · Black and white chalk, with stumping, on blue paper

Cleared · Public Domain

live
The MetSimilar
Study of Drapery by Pierre Paul Prud'hon, The Metropolitan Museum of Art

Study of Drapery

Pierre Paul Prud'hon (d. 1823)

ca. 1813 · Black and white chalk with stumping on blue paper, some squaring in black chalk

Cleared · Public Domain

live
The MetSimilar
Andromache and Astyanax by Pierre Paul Prud'hon, The Metropolitan Museum of Art

Andromache and Astyanax

Pierre Paul Prud'hon (d. 1823)

?1813–17; 1823–24? · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Hector and Andromache by Giovanni Maria Benzoni, The Metropolitan Museum of Art

Hector and Andromache

Giovanni Maria Benzoni (d. 1873)

1871 · Marble

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Last Interview of Hector and Andromache

Luigi Schiavonetti (d. 1810)

ca. 1769 · Stipple engraving and etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Last Interview of Hector and Andromache

Luigi Schiavonetti (d. 1810)

ca. 1790 · Stipple engraving, printed in color

In copyright

live
The MetSimilar

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2. Read the arithmetic

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