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A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    571 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    365 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 358 matching records exist across the two collections.

Results for "Angel from an Architectural Reliquary"12 records

Institutions answered newest-first by record, interleaved

Angel by an unrecorded maker, The Metropolitan Museum of Art

Angel

Unrecorded maker

ca. 1130 · Limestone

Cleared · Public Domain

live
The MetSimilar
Angel from an Architectural Reliquary by an unrecorded maker, The Cleveland Museum of Art

Angel from an Architectural Reliquary

Unrecorded maker

c. 1400 · Sculpture, gilt bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Reliquary Casket with Scenes from the Martyrdom of Saint Thomas Becket by an unrecorded maker, The Metropolitan Museum of Art

Reliquary Casket with Scenes from the Martyrdom of Saint Thomas Becket

Unrecorded maker

ca. 1173–80 · Gilded silver with niello and a glass cabochon set over a tinted foil

Cleared · Public Domain

live
The MetSimilar
Reliquary Shrine by Jean de Touyl, The Metropolitan Museum of Art

Reliquary Shrine

Jean de Touyl (d. 1350)

ca. 1325–50 · Gilded silver, translucent enamel, paint

Cleared · Public Domain

live
The MetSimilar
Relief with Half Figure of an Angel by an unrecorded maker, The Metropolitan Museum of Art

Relief with Half Figure of an Angel

Unrecorded maker

ca. 1430–35 · Marble (Lunense marble from Carrara)

Cleared · Public Domain

live
The MetSimilar
The Annunciation to Zacharias; (verso) The Angel of the Annunciation by Giovanni di Paolo (Giovanni di Paolo di Grazia), The Metropolitan Museum of Art

The Annunciation to Zacharias; (verso) The Angel of the Annunciation

Giovanni di Paolo (Giovanni di Paolo di Grazia) (d. 1482)

ca. 1455–60 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
Panel with an Angel Appearing to Joachim by an unrecorded maker, The Metropolitan Museum of Art

Panel with an Angel Appearing to Joachim

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

live
The MetSimilar
Reliquary by an unrecorded maker, The Metropolitan Museum of Art

Reliquary

Unrecorded maker

16th century · Gold, rock crystal, enamel

Cleared · Public Domain

live
The MetSimilar
Pendant reliquary with depiction of the Annunciation by an unrecorded maker, The Metropolitan Museum of Art

Pendant reliquary with depiction of the Annunciation

Unrecorded maker

17th century · Gold, enamel, rubies, crystal, pearl, rock crystal

Cleared · Public Domain

live
The MetSimilar
Angel (one of a pair) by Hendrik-Frans Verbruggen, The Metropolitan Museum of Art

Angel (one of a pair)

Hendrik-Frans Verbruggen (d. 1724)

ca. 1690–1710 · Oak

Cleared · Public Domain

live
The MetSimilar
Angel (one of a pair) by Hendrik-Frans Verbruggen, The Metropolitan Museum of Art

Angel (one of a pair)

Hendrik-Frans Verbruggen (d. 1724)

ca. 1690–1710 · Oak

Cleared · Public Domain

live
The MetSimilar
Design for a Monumental Altar, plate E from "Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen" by Johann Michael Leüchte, The Metropolitan Museum of Art

Design for a Monumental Altar, plate E from "Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen"

Johann Michael Leüchte

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar

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