
The Temple of the Sibyl at Tivoli, from "Landscapes and Ruins"
Jan van de Velde II (d. 1641)
ca. 1615 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
3409 ms. The Metropolitan Museum of Art, Collection API (Open Access)
308 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Temple of the Sibyl at Tivoli, from "Landscapes and Ruins"
Jan van de Velde II (d. 1641)
ca. 1615 · Etching
Cleared · Public Domain
live
View of the Ponte San Rocco at Tivoli; verso: Buildings on the River Aniene near Tivoli (?)
Guilliam du Gardijn (d. 1647)
ca. 1640–45 (?) · Brush and gray ink, black chalk
Cleared · Public Domain
live
Mountainous Landscape at Vicovaro
Simon Denis (d. 1813)
ca. 1786–97 · Oil on paper
Cleared · Public Domain
live
Tivoli, Villa of Maecenas and part of the Cascatelle
Joseph Mallord William Turner (d. 1851)
1794–97 · Brush and blue-gray wash, over graphite
Cleared · Public Domain
live
Ponte San Rocco and Waterfalls, Tivoli
François Marius Granet (d. 1849)
ca. 1810–20 · Oil on canvas
Cleared · Public Domain
live
Tivoli
Sanford Robinson Gifford (d. 1880)
1870 · Oil on canvas
Cleared · Public Domain
live
Olive Trees at Tivoli
George Inness (d. 1894)
1873 · Gouache, watercolor, and graphite on blue wove paper with colored fibers
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Ponte Lucano, Near Tivoli
Thomas Manby (d. 1695)
probably before 1685 · Pen and black ink with gray wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Aniene River at Tivoli
Simon Denis (d. 1813)
ca. 1786–89 · Oil on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Monastery of San Benedetto above the Aniene River at Subiaco
Antoine-Félix Boisselier (d. 1857)
1811 · Oil on paper, laid down on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Aniene River at Subiaco
André Giroux (d. 1879)
late 1820s · Oil on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ponte Nomentano
Giovanni Battista Altadonna (d. 1890)
ca. 1860 · Albumen silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.