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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    145 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    272 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 4 matching records exist across the two collections.

Results for "Anne Page and Slender (Shakespeare's Mer"4 records

Institutions answered newest-first by record, interleaved

Inuit Manner of Dress by Jean-Baptiste Le Prince, The Metropolitan Museum of Art

Inuit Manner of Dress

Jean-Baptiste Le Prince (d. 1781)

1769 · Pen and black ink, brush and gray wash, over black chalk, with additions in graphite

Cleared · Public Domain

live
The MetSimilar
Anne Page and Slender (Shakespeare's Merry Wives of Windsor, Act 1, Scene 1) by Samuel William Reynolds, the elder, The Metropolitan Museum of Art

Anne Page and Slender (Shakespeare's Merry Wives of Windsor, Act 1, Scene 1)

Samuel William Reynolds, the elder (d. 1835)

1829 · Mezzotint and etching; before first state

Cleared · Public Domain

live
The MetSimilar
Anne Page, Slender and Simple (Shakespeare, Merry Wives of Windsor, Act 1, Scene 1) by Charles Heath, The Metropolitan Museum of Art

Anne Page, Slender and Simple (Shakespeare, Merry Wives of Windsor, Act 1, Scene 1)

Charles Heath (d. 1848)

1825–40 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Anne Page, Slender and Shallow (Shakespeare, Merry Wives of Windsor, Act 1, Scene 1) by Peter Simon, The Metropolitan Museum of Art

Anne Page, Slender and Shallow (Shakespeare, Merry Wives of Windsor, Act 1, Scene 1)

Peter Simon (d. 1813)

first published 1792; reissued 1852 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.