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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    345 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    491 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 171 matching records exist across the two collections.

Results for "Antelope Head"12 records

Institutions answered newest-first by record, interleaved

Antelope Head by an unrecorded maker, The Metropolitan Museum of Art

Antelope Head

Unrecorded maker

525–404 BCE · Greywacke, travertine (Egyptian alabaster), agate

Cleared · Public Domain

live
The MetSimilar
Eleven-Headed Bodhisattva of Compassion (Avalokiteshvara) by an unrecorded maker, The Cleveland Museum of Art

Eleven-Headed Bodhisattva of Compassion (Avalokiteshvara)

Unrecorded maker

around 1000 · Sculpture, gilt bronze with silver and copper inlay

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Gold earring with head of an antelope by an unrecorded maker, The Metropolitan Museum of Art

Gold earring with head of an antelope

Unrecorded maker

late 4th–3rd century BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Headdress by an unrecorded maker, The Cleveland Museum of Art

Headdress

Unrecorded maker

early 1900s · Mask, Wood, rawhide, cane, paint, bone, natural fiber, and metal

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Gold earring with head of an antelope by an unrecorded maker, The Metropolitan Museum of Art

Gold earring with head of an antelope

Unrecorded maker

late 4th–3rd century BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Male Figure (nkishi) by an unrecorded maker, The Cleveland Museum of Art

Male Figure (nkishi)

Unrecorded maker

late 1800s–early 1900s · Sculpture, Wood, glass beads, brass (including upholstery studs), copper alloy, iron alloy, raffia, reedbuck antelope horn, rawhide, animal hair, human teeth, organic material, minerals, and plant fibers

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Gold earring with head of an antelope by an unrecorded maker, The Metropolitan Museum of Art

Gold earring with head of an antelope

Unrecorded maker

4th–3rd century BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Sudhana and the rishi Bhishmottaranirgosha, folio 94 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array) by an unrecorded maker, The Cleveland Museum of Art

Sudhana and the rishi Bhishmottaranirgosha, folio 94 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array)

Unrecorded maker

1000–1100s · Painting, gum tempera and ink on palm leaves

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Gold earring with head of an antelope by an unrecorded maker, The Metropolitan Museum of Art

Gold earring with head of an antelope

Unrecorded maker

4th‒3rd century BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Gold earring with head of an antelope by an unrecorded maker, The Metropolitan Museum of Art

Gold earring with head of an antelope

Unrecorded maker

4th‒3rd century BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Gold earring with head of an antelope by an unrecorded maker, The Metropolitan Museum of Art

Gold earring with head of an antelope

Unrecorded maker

3rd–2nd century BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Rhyton in the form of a Saiga antelope head by an unrecorded maker, The Metropolitan Museum of Art

Rhyton in the form of a Saiga antelope head

Unrecorded maker

ca. 5th–6th century CE · Silver-gilt

Cleared · Public Domain

live
The MetSimilar

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