
Terracotta neck-amphora (jar)
Paris Painter
ca. 540 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
420 ms. The Metropolitan Museum of Art, Collection API (Open Access)
278 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 259 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta neck-amphora (jar)
Paris Painter
ca. 540 BCE · Terracotta
Cleared · Public Domain
live
Sheet of Figure Studies and Ornamental Motifs (recto and verso)
Vincenzo Tamagni (d. 1530)
1520–30 · Pen and brown ink over leadpoint
Cleared · Public Domain
live
Antique-Style Ornamental Frieze Design: Grotteschi with Figures, Cornucopiae, and Shields
Anonymous, Italian, 16th century (d. 1600)
early 16th century · Pen and brown ink, over traces of leadpoint (?)
Cleared · Public Domain
live
Antique-Style Ornamental Frieze Design: Lettered Panels, Rinceaux, and Masks
Anonymous, Italian, 16th century (d. 1600)
early 16th century · Pen and two color brown inks, over traces of leadpoint
Cleared · Public Domain
live
Antique-Style Ornamental Frieze Designs: Grotesques with Winged Infant, Masks, and Fantastic Animals
Anonymous, Italian, 16th century (d. 1600)
early 16th century · Pen and brown ink, over leadpoint
Cleared · Public Domain
live
Les Singuliers et Nouveaux Portraicts... page 66 (recto)
Federico de Vinciolo (d. 1599)
1588 · Woodcut
Cleared · Public Domain
live
Panels of Ornament, nos. CCLXXIV–CCXCIII, plate 48 from "Designs for Various Ornaments"
Michelangelo Pergolesi (d. 1801)
February 27, 1784 · Etching; printed in dark brown ink
Cleared · Public Domain
live
Interior Ornamented Wall, nos. CCCCLXIX–CCCCLXXIX, plate 70 from "Designs for Various Ornaments"
Michelangelo Pergolesi (d. 1801)
1801 · Etching and watercolor
Cleared · Public Domain
live
Varieties of Leaf Ornament, nos. CCCCLV–CCCCLIX, plate 68 from "Designs for Various Ornaments"
Michelangelo Pergolesi (d. 1801)
1801 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frise d'apres l'Antique, from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Jean Barbault (d. 1762)
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze with Black and White Squares Against Lozenges with Ornamental Design in Purple
Anonymous, French, 20th century (d. 2000)
ca. 1910–29 · Charcoal, gouache and gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze with Ornamental Bracket Holding a Vase with Floral Arrangement
Anonymous, French, 20th century (d. 2000)
ca. 1910–29 · Charcoal, gouache and gold paint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.