Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    533 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    292 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 45 matching records exist across the two collections.

Results for "Aphrodite Torso"12 records

Institutions answered newest-first by record, interleaved

Terracotta statuette of a nude woman by an unrecorded maker, The Metropolitan Museum of Art

Terracotta statuette of a nude woman

Unrecorded maker

3rd century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Aphrodite Torso by an unrecorded maker, The Cleveland Museum of Art

Aphrodite Torso

Unrecorded maker

c. 200–1 BCE · Sculpture, Thasian marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Terracotta statuette of Aphrodite and Eros by an unrecorded maker, The Metropolitan Museum of Art

Terracotta statuette of Aphrodite and Eros

Unrecorded maker

3rd century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Torso of a Woman by an unrecorded maker, The Cleveland Museum of Art

Torso of a Woman

Unrecorded maker

100 BCE–400 CE, or modern, before 1927? · Sculpture, marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Marble torso of Aphrodite by an unrecorded maker, The Metropolitan Museum of Art

Marble torso of Aphrodite

Unrecorded maker

ca. 2nd century BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Torso of Venus by an unrecorded maker, The Cleveland Museum of Art

Torso of Venus

Unrecorded maker

1–200 CE · Sculpture, marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Faience statuette of Aphrodite by an unrecorded maker, The Metropolitan Museum of Art

Faience statuette of Aphrodite

Unrecorded maker

334–30 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Faience statuette of Aphrodite by an unrecorded maker, The Metropolitan Museum of Art

Faience statuette of Aphrodite

Unrecorded maker

334–30 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Fragmentary faience statuette of Aphrodite by an unrecorded maker, The Metropolitan Museum of Art

Fragmentary faience statuette of Aphrodite

Unrecorded maker

334–30 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Marble statue of Aphrodite by an unrecorded maker, The Metropolitan Museum of Art

Marble statue of Aphrodite

Unrecorded maker

2nd century BCE · marble

Cleared · Public Domain

live
The MetSimilar
Marble statue of Aphrodite by an unrecorded maker, The Metropolitan Museum of Art

Marble statue of Aphrodite

Unrecorded maker

1st–2nd century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble statue of Aphrodite by an unrecorded maker, The Metropolitan Museum of Art

Marble statue of Aphrodite

Unrecorded maker

1st or 2nd century CE · Marble

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.