Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1206 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    305 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 82 matching records exist across the two collections.

Results for "Apollo and Galatea in a Landscape with N"11 records

Institutions answered newest-first by record, interleaved

Wall painting on black ground: landscape, from the imperial villa at Boscotrecase by an unrecorded maker, The Metropolitan Museum of Art

Wall painting on black ground: landscape, from the imperial villa at Boscotrecase

Unrecorded maker

last decade of the 1st century BCE · Fresco

Cleared · Public Domain

live
The MetSimilar
Wall painting: Perseus and Andromeda in landscape, from the imperial villa at Boscotrecase by an unrecorded maker, The Metropolitan Museum of Art

Wall painting: Perseus and Andromeda in landscape, from the imperial villa at Boscotrecase

Unrecorded maker

last decade of the 1st century BCE · Fresco

Cleared · Public Domain

live
The MetSimilar
Wall painting: Polyphemus and Galatea in a landscape, from the imperial villa at Boscotrecase by an unrecorded maker, The Metropolitan Museum of Art

Wall painting: Polyphemus and Galatea in a landscape, from the imperial villa at Boscotrecase

Unrecorded maker

last decade of the 1st century BCE · Fresco

Cleared · Public Domain

live
The MetSimilar
Apollo and Galatea in a Landscape with Neptune and Three Nymphs by Orazio Samacchini, The Metropolitan Museum of Art

Apollo and Galatea in a Landscape with Neptune and Three Nymphs

Orazio Samacchini (d. 1577)

1550–60 · Pen and brown ink, brush and brown wash, over black chalk; squared in black chalk (with some corrections to squaring grid); traces of framing outlines in pen and dark brown ink

Cleared · Public Domain

live
The MetSimilar
A Mountainous Landscape with a Waterfall by Kerstiaen de Keuninck, The Metropolitan Museum of Art

A Mountainous Landscape with a Waterfall

Kerstiaen de Keuninck (d. 1633)

ca. 1600 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Landscape with Apollo and the Muses by Claude Lorrain (Claude Gellée), The Metropolitan Museum of Art

Landscape with Apollo and the Muses

Claude Lorrain (Claude Gellée) (d. 1682)

1674 · Pen and brown ink, brush and brown and gray wash and white gouache, over traces of graphite, on blue-green paper

Cleared · Public Domain

live
The MetSimilar
The Charlatan and the Peep Show from a set of Italian Village Scenes by François Boucher, The Metropolitan Museum of Art

The Charlatan and the Peep Show from a set of Italian Village Scenes

François Boucher (d. 1770)

designed 1736, woven 1736–52 · Wool, silk (19-22 warps per inch, 8-9 per cm.)

Cleared · Public Domain

live
The MetSimilar
Ruins of Mrs. Henry's House, Battlefield of Bull Run by George N. Barnard, The Metropolitan Museum of Art

Ruins of Mrs. Henry's House, Battlefield of Bull Run

George N. Barnard (d. 1902)

March 1862 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Scene of General McPherson's Death by George N. Barnard, The Metropolitan Museum of Art

Scene of General McPherson's Death

George N. Barnard (d. 1902)

1864 or 1866 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
WHITE MOUNTAIN/ N. HAMPSHIRE/ U.S. by William Adams & Sons, The Metropolitan Museum of Art

WHITE MOUNTAIN/ N. HAMPSHIRE/ U.S.

William Adams & Sons (d. 2063)

ca. 1834–ca. 1864 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 1: Detail of a wall from the Farnese gallery; in central frame, Polyphemus seated on a rock playing the pipes, Galatea approaching at right, in a carriage carried by dolphins; above, a scene with Hyacinthus and Apollo, from "Galeriae Farnesianae Icones"

Pietro Aquila (d. 1700)

ca. 1674 · Etching and engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.