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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    515 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    387 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 68 matching records exist across the two collections.

Results for "Appliqués, triangular, 57"11 records

Institutions answered newest-first by record, interleaved

Stirrup-spout bottle by Cupisnique artist(s), The Metropolitan Museum of Art

Stirrup-spout bottle

Cupisnique artist(s)

800–500 BCE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Bead ornaments, triangular, 8 by an unrecorded maker, The Metropolitan Museum of Art

Bead ornaments, triangular, 8

Unrecorded maker

3rd century CE · Gold

Cleared · Public Domain

live
The MetSimilar
Bronze applique in the form of a bull's head by an unrecorded maker, The Metropolitan Museum of Art

Bronze applique in the form of a bull's head

Unrecorded maker

ca. 4th century BCE– 3rd century CE · Bronze

Cleared · Public Domain

live
The MetSimilar
Appliqués, triangular, 57 by an unrecorded maker, The Metropolitan Museum of Art

Appliqués, triangular, 57

Unrecorded maker

1st half of the 5th century CE · Gold

Cleared · Public Domain

live
The MetSimilar
Appliqués, two triangles joined, 25 by an unrecorded maker, The Metropolitan Museum of Art

Appliqués, two triangles joined, 25

Unrecorded maker

1st half of the 5th century CE · Gold

Cleared · Public Domain

live
The MetSimilar
Incense Burner by an unrecorded maker, The Metropolitan Museum of Art

Incense Burner

Unrecorded maker

7th–12th century · Ceramic

Cleared · Public Domain

live
The MetSimilar
Vase with lotus scrolls by an unrecorded maker, The Metropolitan Museum of Art

Vase with lotus scrolls

Unrecorded maker

15th–16th century · Cloisonné enamel, gilt bronze mounts

Cleared · Public Domain

live
The MetSimilar
Coat by an unrecorded maker, The Metropolitan Museum of Art

Coat

Unrecorded maker

18th century · Silk, cotton, metal wrapped thread

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Evening shoes

Marshall Field & Company (d. 2050)

ca. 1927 · leather, rhinestones

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Textile

Myrbor (d. 1936)

1920–29 · silk, metal

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Textile

Sarah Lipska (d. 1973)

1920–29 · silk

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.