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A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1742 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    343 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 10,730 matching records exist across the two collections.

Results for "Aquamanile in the Form of a Lion"12 records

Institutions answered newest-first by record, interleaved

Aquamanile in the Form of a Lion by an unrecorded maker, The Metropolitan Museum of Art

Aquamanile in the Form of a Lion

Unrecorded maker

12th century · Copper alloy, glass inlays

Cleared · Public Domain

live
The MetSimilar
Lion Aquamanile by an unrecorded maker, The Cleveland Museum of Art

Lion Aquamanile

Unrecorded maker

1200–1250 · Sculpture, bronze: cast, chased, and punched

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Aquamanile in the Form of a Lion by an unrecorded maker, The Metropolitan Museum of Art

Aquamanile in the Form of a Lion

Unrecorded maker

ca. 1200 · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Aquamanile: Saddled Horse by an unrecorded maker, The Cleveland Museum of Art

Aquamanile: Saddled Horse

Unrecorded maker

c. 1250–1300 · Sculpture, copper alloy

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Aquamanile in the Form of a Lion by an unrecorded maker, The Metropolitan Museum of Art

Aquamanile in the Form of a Lion

Unrecorded maker

ca. 1200 · Copper alloy with inlaid glass

Cleared · Public Domain

live
The MetSimilar
Aquamanile in the Form of a Lion by an unrecorded maker, The Metropolitan Museum of Art

Aquamanile in the Form of a Lion

Unrecorded maker

late 13th century–early 14th century · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Aquamanile in the Form of a Lion by an unrecorded maker, The Metropolitan Museum of Art

Aquamanile in the Form of a Lion

Unrecorded maker

late 13th century–early 14th century · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Aquamanile in the Form of a Lion by an unrecorded maker, The Metropolitan Museum of Art

Aquamanile in the Form of a Lion

Unrecorded maker

14th century · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Aquamanile in the Form of a Horse by an unrecorded maker, The Metropolitan Museum of Art

Aquamanile in the Form of a Horse

Unrecorded maker

ca. 1400 · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Aquamanile in the Form of a Lion by an unrecorded maker, The Metropolitan Museum of Art

Aquamanile in the Form of a Lion

Unrecorded maker

ca. 1400 · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Aquamanile in the Form of Samson and
the Lion by an unrecorded maker, The Metropolitan Museum of Art

Aquamanile in the Form of Samson and the Lion

Unrecorded maker

ca. 1380–1400 · Bronze; quaternary copper alloy (approx. 78% copper, approx. 10% zinc, approx. 6% tin, approx. 5% lead) with natural patina. Remnants of the iron armature are in the lion’s legs and the figure of Samson.

Cleared · Public Domain

live
The MetSimilar
Aquamanile in the Form of a Griffin by an unrecorded maker, The Metropolitan Museum of Art

Aquamanile in the Form of a Griffin

Unrecorded maker

ca. 1425–50 · Bronze; Ternary copper alloy with a very high content of zinc (approx. 74% copper, approx. 22% zinc, approx. 2% lead) with natural patina, hollow cast.

Cleared · Public Domain

live
The MetSimilar

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