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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    478 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    296 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 46 matching records exist across the two collections.

Results for "Arch by Master GA with the Caltrop, from"12 records

Institutions answered newest-first by record, interleaved

Tracery Arcade from the Great South Window of Canterbury Cathedral by Master Mason Stephen Lote, The Metropolitan Museum of Art

Tracery Arcade from the Great South Window of Canterbury Cathedral

Master Mason Stephen Lote

ca. 1426–1435 · Caen stone

Cleared · Public Domain

live
The MetSimilar
Entablatures from Santa Pudenziana and the Arch of Camigliano, from "Speculum Romanae Magnificentiae" by Master PS, The Metropolitan Museum of Art

Entablatures from Santa Pudenziana and the Arch of Camigliano, from "Speculum Romanae Magnificentiae"

Master PS

1537 · Engraving

Cleared · Public Domain

live
The MetSimilar
Arcus in Hispania, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art

Arcus in Hispania, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity

Monogrammist G.A. with the Caltrop (d. 1535)

Plate ca. 1530–1550 · Engraving

Cleared · Public Domain

live
The MetSimilar
Arcus in Provincia, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art

Arcus in Provincia, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity

Monogrammist G.A. with the Caltrop (d. 1535)

Plate ca. 1530–1550 · Engravings

Cleared · Public Domain

live
The MetSimilar
Arcus Lutii Septimii, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art

Arcus Lutii Septimii, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity

Monogrammist G.A. with the Caltrop (d. 1535)

Plate ca. 1530–1550 · Engraving [moved slightly during printing]

Cleared · Public Domain

live
The MetSimilar
Arcus S. Georgii, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art

Arcus S. Georgii, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity

Monogrammist G.A. with the Caltrop (d. 1535)

Plate ca. 1530–1550 · Engravings

Cleared · Public Domain

live
The MetSimilar
Arcus Vespasiani, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art

Arcus Vespasiani, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity

Monogrammist G.A. with the Caltrop (d. 1535)

Plate ca. 1530–1550 · Engraving

Cleared · Public Domain

live
The MetSimilar
Porta Antonae, from a series of prints depicting (reconstructed) buildings from Roman Antiquity by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art

Porta Antonae, from a series of prints depicting (reconstructed) buildings from Roman Antiquity

Monogrammist G.A. with the Caltrop (d. 1535)

ca. 1530–50 · Engraving

Cleared · Public Domain

live
The MetSimilar
Half of an Arch [Arcus Lutii Septimi], from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles" by Lambert Suavius, The Metropolitan Museum of Art

Half of an Arch [Arcus Lutii Septimi], from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles"

Lambert Suavius (d. 1576)

1554 · Etching

Cleared · Public Domain

live
The MetSimilar
Half of an Arch [Porta Antonae], from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles" by Lambert Suavius, The Metropolitan Museum of Art

Half of an Arch [Porta Antonae], from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles"

Lambert Suavius (d. 1576)

1554 · Etching

Cleared · Public Domain

live
The MetSimilar
The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles" by Lambert Suavius, The Metropolitan Museum of Art

The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles"

Lambert Suavius (d. 1576)

1554 · Etching

Cleared · Public Domain

live
The MetSimilar
Arch by Master GA with the Caltrop, from "Speculum Romanae Magnificentiae" by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art

Arch by Master GA with the Caltrop, from "Speculum Romanae Magnificentiae"

Monogrammist G.A. with the Caltrop (d. 1535)

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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