
The Arch of Titus, from "Speculum Romanae Magnificentiae"
Anonymous
ca. 1540–60 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
105 ms. The Metropolitan Museum of Art, Collection API (Open Access)
302 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,021 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Arch of Titus, from "Speculum Romanae Magnificentiae"
Anonymous
ca. 1540–60 · Engraving
Cleared · Public Domain
live
The Arch of Titus and the Coliseum, Rome
Thomas Hartley Cromek (d. 1873)
1846 · Drawing, watercolor with black ink and graphite underdrawing
Cleared · CC0
live
Arch of Titus, from "Speculum Romanae Magnificentiae"
Anonymous
1558 · Engraving and etching
Cleared · Public Domain
live
Views of Rome: The Arch or Titus
Giovanni Battista Piranesi (d. 1778)
1776 · Print, etching and engraving
Cleared · CC0
live
A Reconstruction of the Arch of Titus (above) and a View of the Ruins (below)
Jan Goeree (d. 1731)
before 1704 · Pen and black and brown ink, brush and gray wash, red chalk; incised?
Cleared · Public Domain
live
The Arch of Titus (Veduta dell'Arco di Tito)
Giovanni Battista Piranesi (d. 1778)
ca. 1760 · Etching
Cleared · Public Domain
live
Arch of Titus
Giovanni Volpato (d. 1803)
ca. 1780 · Etching, with watercolor and gouache
Cleared · Public Domain
live![[Arch of Titus] by Jane Martha St. John, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP143549.jpg)
[Arch of Titus]
Jane Martha St. John (d. 1882)
1853–56 · Albumen silver print
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Arch of Titus, in Rome, Plate 17
Jacques Androuet Du Cerceau (d. 1585)
1549 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Arch of Titus, Rome
Jacques Androuet Du Cerceau (d. 1585)
1549 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Arch of Titus from 'Vedute di Roma' (Views of Rome)
Giovanni Battista Piranesi (d. 1778)
ca. 1760 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Arch of Titus
Giovanni Battista Piranesi (d. 1778)
ca. 1760–1800 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.