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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    362 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    7 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 23 matching records exist across the two collections.

Results for "Archer's leather wrist guard"12 records

Institutions answered newest-first by record, interleaved

Archer's wrist guard by an unrecorded maker, The Metropolitan Museum of Art

Archer's wrist guard

Unrecorded maker

ca. 1981–1550 B.C. · Leather

Cleared · Public Domain

live
The MetSimilar
Archer's wrist guard by an unrecorded maker, The Metropolitan Museum of Art

Archer's wrist guard

Unrecorded maker

ca. 1961–1917 B.C. · Leather

Cleared · Public Domain

live
The MetSimilar
Pair of Gauntlets from a Garniture of Armor of Philip II of Spain (reigned 1556–98) by Desiderius Helmschmid, The Metropolitan Museum of Art

Pair of Gauntlets from a Garniture of Armor of Philip II of Spain (reigned 1556–98)

Desiderius Helmschmid (d. 1579)

1546 · Steel, leather, gold

Cleared · Public Domain

live
The MetSimilar
Archer's Arm Guard (Bracer) by an unrecorded maker, The Metropolitan Museum of Art

Archer's Arm Guard (Bracer)

Unrecorded maker

dated 1752 · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Harquebusier's Armor of Pedro II, King of Portugal (reigned 1683–1706) with Buff Coat by Richard Holden, The Metropolitan Museum of Art

Harquebusier's Armor of Pedro II, King of Portugal (reigned 1683–1706) with Buff Coat

Richard Holden (d. 1708)

ca. 1683 and later; buff coat, 17th–18th century · Steel, gold, leather, textile

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Archer's leather wrist guard

Unrecorded maker

ca. 2050–1200 B.C. · Leather

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Part of Archer's Wrist Guard

Unrecorded maker

ca. 1961–1917 B.C. · Leather

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Part of Archer's Wrist Guard

Unrecorded maker

ca. 1961–1917 B.C. · Leather

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bracer (Archer's Arm Guard)

Unrecorded maker

ca. 1580 · Horn (bovine), leather, metal

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Archer's Breast Guard

Unrecorded maker

ca. 1615–1868 · Leather, hemp, horn

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pair of Arm Defenses

New England Enameling Company, Inc.

1918 · Steel, paint, leather, copper alloy

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gloves

Maison Margiela (d. 9999)

ca. 1997 · a) leather; b) leather, cotton

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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