Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    814 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    338 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,704 matching records exist across the two collections.

Results for "Architectural Frieze"12 records

Institutions answered newest-first by record, interleaved

Cobra head for architectural frieze by an unrecorded maker, The Metropolitan Museum of Art

Cobra head for architectural frieze

Unrecorded maker

ca. 1550–1300 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Frieze with Apsaras by an unrecorded maker, The Cleveland Museum of Art

Frieze with Apsaras

Unrecorded maker

late 1100s · Sculpture, sandstone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Architectural Frieze with Merman Playing Musical Instruments by an unrecorded maker, The Metropolitan Museum of Art

Architectural Frieze with Merman Playing Musical Instruments

Unrecorded maker

2nd–3rd century · Red sandstone

Cleared · Public Domain

live
The MetSimilar
Lovers (Mithuna) by an unrecorded maker, The Cleveland Museum of Art

Lovers (Mithuna)

Unrecorded maker

c. 973 · Sculpture, sandstonewith limestone wash

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Architectural Frieze by an unrecorded maker, The Metropolitan Museum of Art

Architectural Frieze

Unrecorded maker

second quarter 12th century · Limestone

Cleared · Public Domain

live
The MetSimilar
Frieze by Giovanni Dalmata (Giovanni Duknovich di Traù), The Metropolitan Museum of Art

Frieze

Giovanni Dalmata (Giovanni Duknovich di Traù) (d. 1509)

second half 15th century · Marble

Cleared · Public Domain

live
The MetSimilar
Frieze fragment by an unrecorded maker, The Metropolitan Museum of Art

Frieze fragment

Unrecorded maker

early 16th century · Marble

Cleared · Public Domain

live
The MetSimilar
Frieze fragment by an unrecorded maker, The Metropolitan Museum of Art

Frieze fragment

Unrecorded maker

early 16th century · Marble

Cleared · Public Domain

live
The MetSimilar
Frieze with Consoles, Putti, and Garlands (recto); Fragment of Architectural design (verso) by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Frieze with Consoles, Putti, and Garlands (recto); Fragment of Architectural design (verso)

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and brown ink, brush and gray wash, over graphite and ruled construction

Cleared · Public Domain

live
The MetSimilar
Design for an Architectural Frieze by Anonymous, Italian, mid-16th century, The Metropolitan Museum of Art

Design for an Architectural Frieze

Anonymous, Italian, mid-16th century (d. 1580)

17th century · Pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Frieze and ceiling by Virgilio Tojetti, The Metropolitan Museum of Art

Frieze and ceiling

Virgilio Tojetti (d. 1901)

1881–82 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

D'aprés l'Antique, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching and engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.