
Cobra head for architectural frieze
Unrecorded maker
ca. 1550–1300 BCE · Faience
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
814 ms. The Metropolitan Museum of Art, Collection API (Open Access)
338 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,704 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cobra head for architectural frieze
Unrecorded maker
ca. 1550–1300 BCE · Faience
Cleared · Public Domain
live
Frieze with Apsaras
Unrecorded maker
late 1100s · Sculpture, sandstone
Cleared · CC0
live
Architectural Frieze with Merman Playing Musical Instruments
Unrecorded maker
2nd–3rd century · Red sandstone
Cleared · Public Domain
live
Lovers (Mithuna)
Unrecorded maker
c. 973 · Sculpture, sandstonewith limestone wash
Cleared · CC0
live
Architectural Frieze
Unrecorded maker
second quarter 12th century · Limestone
Cleared · Public Domain
live
Frieze
Giovanni Dalmata (Giovanni Duknovich di Traù) (d. 1509)
second half 15th century · Marble
Cleared · Public Domain
live
Frieze fragment
Unrecorded maker
early 16th century · Marble
Cleared · Public Domain
live
Frieze fragment
Unrecorded maker
early 16th century · Marble
Cleared · Public Domain
live
Frieze with Consoles, Putti, and Garlands (recto); Fragment of Architectural design (verso)
Anonymous, Italian, 17th century (d. 1700)
17th century · Pen and brown ink, brush and gray wash, over graphite and ruled construction
Cleared · Public Domain
live
Design for an Architectural Frieze
Anonymous, Italian, mid-16th century (d. 1580)
17th century · Pen and brown ink, brush and brown wash
Cleared · Public Domain
live
Frieze and ceiling
Virgilio Tojetti (d. 1901)
1881–82 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
D'aprés l'Antique, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching and engraving
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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