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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    810 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    345 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,316 matching records exist across the two collections.

Results for "Architectural Perspective Study Showing"12 records

Institutions answered newest-first by record, interleaved

Head of a Man in Profile by Luca Signorelli (Luca d'Egidio di Luca di Ventura), The Metropolitan Museum of Art

Head of a Man in Profile

Luca Signorelli (Luca d'Egidio di Luca di Ventura) (d. 1523)

1490s · Black chalk, pen and brown ink, heightened with white.

Cleared · Public Domain

live
The MetSimilar
The Beheading of Saint John the Baptist by Albrecht Altdorfer, The Metropolitan Museum of Art

The Beheading of Saint John the Baptist

Albrecht Altdorfer (d. 1538)

1512 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Architectural Capriccio with an Arcade and Fountain in Point Perspective [Study for a Painting of John the Baptist before Herod] by Hans Vredeman de Vries, The Metropolitan Museum of Art

Architectural Capriccio with an Arcade and Fountain in Point Perspective [Study for a Painting of John the Baptist before Herod]

Hans Vredeman de Vries (d. 1606)

ca. 1594–96 · Pen and brown ink with a gray wash over traces of black chalk, stylus and compass marks

Cleared · Public Domain

live
The MetSimilar
Seated Old Man with Right Arm Upraised (Tithonus) (recto); Seated Nude Youth (figure of Day) (verso) by Guercino (Giovanni Francesco Barbieri), The Metropolitan Museum of Art

Seated Old Man with Right Arm Upraised (Tithonus) (recto); Seated Nude Youth (figure of Day) (verso)

Guercino (Giovanni Francesco Barbieri) (d. 1666)

1621 · Red chalk on blue paper

Cleared · Public Domain

live
The MetSimilar
Two Studies of a Woman Reading by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

Two Studies of a Woman Reading

Rembrandt (Rembrandt van Rijn) (d. 1669)

1635–40 · Pen and brown iron-gall ink

Cleared · Public Domain

live
The MetSimilar
Architectural Perspective Study Showing Two Column Bases (recto); Architectural Perspective Study Showing Column Capital and a Measurement Key (verso) by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Architectural Perspective Study Showing Two Column Bases (recto); Architectural Perspective Study Showing Column Capital and a Measurement Key (verso)

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and brown and red ink, over graphite ruled construction

Cleared · Public Domain

live
The MetSimilar
Ceiling Design with the Presentation in the Temple by Gregorio de' Ferrari, The Metropolitan Museum of Art

Ceiling Design with the Presentation in the Temple

Gregorio de' Ferrari (d. 1726)

1647–1726 · Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on blue-gray paper

Cleared · Public Domain

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The MetSimilar
An Architectural Capriccio by Luc Vincent Thiery de Sainte Colombe, The Metropolitan Museum of Art

An Architectural Capriccio

Luc Vincent Thiery de Sainte Colombe (d. 1812)

ca. 1772 · Pen and brown ink, brush and brown wash

Cleared · Public Domain

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The MetSimilar
59. Plan et details, Château d’Alep by Joseph-Philibert Girault de Prangey, The Metropolitan Museum of Art

59. Plan et details, Château d’Alep

Joseph-Philibert Girault de Prangey (d. 1892)

1843 · Lithograph

Cleared · Public Domain

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The MetSimilar
Valley of San Juan del Oro (Harvesting Cinchona Bark) by Charles-François Daubigny, The Metropolitan Museum of Art

Valley of San Juan del Oro (Harvesting Cinchona Bark)

Charles-François Daubigny (d. 1878)

1849 · Etching on chine collé; first state of two

Cleared · Public Domain

live
The MetSimilar
Loggia of the Ducal Palace, Venice by John Ruskin, The Metropolitan Museum of Art

Loggia of the Ducal Palace, Venice

John Ruskin (d. 1900)

1849–50 · Watercolor over graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An Art School, plans, elevation, section, and perspective

John Edgar Barthel (d. 2011)

1947 · Graphite, gouache, pen and green ink, black wash, and gray marker

In copyright

live
The MetSimilar

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