
Architectural model
Mezcala artist(s)
200 BCE–500 CE · Greenstone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
6060 ms. The Metropolitan Museum of Art, Collection API (Open Access)
306 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14,359 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Architectural model
Mezcala artist(s)
200 BCE–500 CE · Greenstone
Cleared · Public Domain
live
Fountain with Two Tritons Blowing Conch Shells
François Boucher (d. 1770)
c. 1736 · Drawing, Black chalk with stumping, and red chalk, heightened with white chalk on beige laid paper
Cleared · CC0
live
Architectural model
Mezcala artist(s)
200 BCE–500 CE · Greenstone
Cleared · Public Domain
live
Architectural model with figure
Unrecorded maker
1st–8th century · Stone
Cleared · Public Domain
live
Architectural Model with Figure
Unrecorded maker
1st–8th century · Stone
Cleared · Public Domain
live
Foliated plate with rocks, plants, and melons
Unrecorded maker
14th century · Porcelain painted in underglaze cobalt blue (Jingdezhen ware)
Cleared · Public Domain
live
Architectural Canopy
Unrecorded maker
ca. 1390 · Pot-metal and colorless glass, vitreous paint and silver stain
Cleared · Public Domain
live
Architectural Design for a Monumental Altar, with a Composition with Saint Michael Against Satan and two Saints (Saints Peter and Paul?)
Anonymous
n.d. · Pen and brown ink, over black chalk, brush with green, purple, yellow, and brown washes, ruler incisions.
Cleared · Public Domain
live
Susanna and the Elders (recto); Architectural design and other scribbles (verso)
Giovanni Battista Pittoni (d. 1767)
ca. 1720 · Red and black chalks
Cleared · Public Domain
live
Newport Rocks
John Frederick Kensett (d. 1872)
1872 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Architectural composition with rocks and atlantes, from Grandes vues de grottes et jardins, plate 3
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Architectural composition with rocks and atlantes, from Grandes vues de grottes et jardins, plate 3, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.