
Traité du Jardinage selon les Raisons de la Nature et de l'Art
Michel van Lochom (d. 1647)
1638 · Engraving and woodcut
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
320 ms. The Metropolitan Museum of Art, Collection API (Open Access)
311 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 969 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Traité du Jardinage selon les Raisons de la Nature et de l'Art
Michel van Lochom (d. 1647)
1638 · Engraving and woodcut
Cleared · Public Domain
live
Description de la chapelle du chasteau de Versailles, et des ouvrages de sculpture et de peinture
André Felibien
1711
Cleared · Public Domain
live
Observations sur les Antiquites de la ville d'Herculanum, Avec quelques reflexions sur la Peinture et la Sculpture des Anciens
Charles Nicolas Cochin II (d. 1790)
1754 · Paper, leather
Cleared · Public Domain
live
Painting
Louis Félix de La Rue (d. 1765)
1765 · Etching
Cleared · Public Domain
live
Made for the Administration de la Monnaie et Paris: entitled La Peinture
Alexandre-Louis-Marie Charpentier (d. 1909)
late 19th century · Bronze, struck, oblong, octagon, double
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Traité des Pratiques Geometrales et Perspectives, Enseignées dans L'Acadmie Royale de la Peinture et Sculture
Abraham Bosse (d. 1676)
1665 · Etching, engraving, and letterpress
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jacques Sarrazin Recteur de l'Accademie Royale de Peinture et Sculpture
Gérard Edelinck (d. 1640)
ca. 1700 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Architecture Peinture et Sculpture de la Maison de la Ville d 'Amsterdam...
Bernard Picart (d. 1733)
1719 · Engraving and etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Apollon couronnant le Génie de la Peinture et de la Sculpture (Apollo Crowning the Genius of Painting and Sculpture), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi
Madame la Marquise de Pompadour (d. 1764)
ca. 1755 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Dieux et Les Demi-Dieux de La Peinture
Pierre-Jules-Theophile Gautier (d. 1872)
1864
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.