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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    623 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    412 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 16 matching records exist across the two collections.

Results for "Armor of Giovanni Battista Bourbon del M"12 records

Institutions answered newest-first by record, interleaved

Armor of Giovanni Battista Bourbon del Monte (1541–1614) by an unrecorded maker, The Metropolitan Museum of Art

Armor of Giovanni Battista Bourbon del Monte (1541–1614)

Unrecorded maker

ca. 1590 · Steel, gold, textile, leather

Cleared · Public Domain

live
The MetSimilar
Glaive of the Bodyguard of Giovanni Battista Bourbon del Monte (1541–1614) by an unrecorded maker, The Metropolitan Museum of Art

Glaive of the Bodyguard of Giovanni Battista Bourbon del Monte (1541–1614)

Unrecorded maker

ca. 1590–1600 · Steel, wood, gold, brass, textile

Cleared · Public Domain

live
The MetSimilar
Glaive of the Bodyguard of Giovanni Battista Bourbon del Monte (1541–1614) by an unrecorded maker, The Metropolitan Museum of Art

Glaive of the Bodyguard of Giovanni Battista Bourbon del Monte (1541–1614)

Unrecorded maker

ca. 1590–1600 · Steel, wood, brass, gold, textile

Cleared · Public Domain

live
The MetSimilar
Glaive of the Bodyguard of Giovanni Battista Bourbon del Monte (1541–1615) by an unrecorded maker, The Metropolitan Museum of Art

Glaive of the Bodyguard of Giovanni Battista Bourbon del Monte (1541–1615)

Unrecorded maker

ca. 1590–1600 · Steel, wood (oak), textile, brass, gold

Cleared · Public Domain

live
The MetSimilar
Violin by Nicolò Amati (Cremona 1596–1684 Cremona), The Metropolitan Museum of Art

Violin

Nicolò Amati (Cremona 1596–1684 Cremona)

1669 · Spruce, maple

Cleared · Public Domain

live
The MetSimilar
The suicide of Ajax by Giovanni Battista Foggini, The Metropolitan Museum of Art

The suicide of Ajax

Giovanni Battista Foggini (d. 1725)

ca. 1690 · Bronze

Cleared · Public Domain

live
The MetSimilar
Remains of the Temple of Castor and Pollux . . . ( Avanzo del Tempio di Castore e Polluce . . .) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Remains of the Temple of Castor and Pollux . . . ( Avanzo del Tempio di Castore e Polluce . . .)

Giovanni Battista Piranesi (d. 1778)

18th century · Etching

Cleared · Public Domain

live
The MetSimilar
Remains of the Temple of Cybele (Avanzi del Tempio di Cibele) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Remains of the Temple of Cybele (Avanzi del Tempio di Cibele)

Giovanni Battista Piranesi (d. 1778)

18th century · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A battle scene

Giovanni Battista del Sole (d. 1673)

ca. 1650–70 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ornamental letter "T" with coins of Augustus and M. Agrippa, from "Le Rovine del Castello dell'Acqua Giulia situato in Roma presso S. Eusebio, e falsamente detto dell'Acqua Marcia colla dichiarazione di uno de celebri passi del commentario Frontinano e l'esposizione della maniera con cui gli antichi Romani distribuivano le acque per uso della città" (Ruins of the Fountainhead of the Acqua Giulia in Rome, near S. Eusebio and incorrectly called the Fountainhead of the Acqua Marcia, with a discussion of one of the celebrated passages from the commentary by Frontinus and an explanation of the manner in which the ancient Romans distributed the water for the use of the city)

Giovanni Battista Piranesi (d. 1778)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title page, from "Osservazioni di Gio. Battista Piranesi sopra la lettere de M. Mariette aux auteurs de la Gazette Littéraire de l'Europe, Inserita nel Supplemento dell'istessa Gazzetta stampata Dimanche 4 Novembre MDCCLIV. E Parere su l'Architettura, con una Prefazione ad un nuovo Trattato della introduzione e del progresso delle belle arti in Europa ne'tempi antichi" (Observations of Giovanni Battista Piranesi on the Letter of M. Mariette to the authors of the Gazette Littéraire de l'Europe, included in the Supplement of the same Gazette printed Sunday, 4 November 1754 [1764]. And opinions on Architecture, together with a Preface to a new Treatise on the introduction and the progress of the Fine Arts in Europe in ancient times)

Giovanni Battista Piranesi (d. 1778)

1765 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Saints among clouds, surrounded by putti, from 'Di Tutti gli Affresco del Correggio in Parma'

Carlo Raimondi (d. 1883)

ca. 1846 · Etching and engraving

In copyright

live
The MetSimilar

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