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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    244 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    369 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,300 matching records exist across the two collections.

Results for "Armor of Mail and Plate"12 records

Institutions answered newest-first by record, interleaved

Hauberk of Mail by an unrecorded maker, The Metropolitan Museum of Art

Hauberk of Mail

Unrecorded maker

15th century · Iron, copper alloy (latten), bronze

Cleared · Public Domain

live
The MetSimilar
Armor for Man and Horse with Völs-Colonna Arms by an unrecorded maker, The Cleveland Museum of Art

Armor for Man and Horse with Völs-Colonna Arms

Unrecorded maker

c. 1575 · Arms and Armor, steel

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Mail Brayette by an unrecorded maker, The Metropolitan Museum of Art

Mail Brayette

Unrecorded maker

15th to 16th century · Steel

Cleared · Public Domain

live
The MetSimilar
Hauberk by an unrecorded maker, The Cleveland Museum of Art

Hauberk

Unrecorded maker

1400s · Arms and Armor, riveted steel rings

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Collar of Mail by an unrecorded maker, The Metropolitan Museum of Art

Collar of Mail

Unrecorded maker

16th century · Steel, iron

Cleared · Public Domain

live
The MetSimilar
Hauberk by an unrecorded maker, The Cleveland Museum of Art

Hauberk

Unrecorded maker

1400s · Arms and Armor, riveted steel rings; close woven

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Collar of Mail by an unrecorded maker, The Metropolitan Museum of Art

Collar of Mail

Unrecorded maker

16th century · Steel, iron

Cleared · Public Domain

live
The MetSimilar
Shirt of Mail and Plate by an unrecorded maker, The Metropolitan Museum of Art

Shirt of Mail and Plate

Unrecorded maker

15th–16th century · Steel, iron, copper alloy, gold, silver, leather

Cleared · Public Domain

live
The MetSimilar
Shirt of Mail and Plate by an unrecorded maker, The Metropolitan Museum of Art

Shirt of Mail and Plate

Unrecorded maker

17th century · Steel, iron

Cleared · Public Domain

live
The MetSimilar
Armor of Mail and Plate by an unrecorded maker, The Metropolitan Museum of Art

Armor of Mail and Plate

Unrecorded maker

18th century · Steel, textile, lacquer

Cleared · Public Domain

live
The MetSimilar
Armor of Mail and Plate by an unrecorded maker, The Metropolitan Museum of Art

Armor of Mail and Plate

Unrecorded maker

late 18th–first half of the 19th century · Steel, iron, copper alloy, textile

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Armor of Mail

Unrecorded maker

16th–17th century · Steel, textile, brass

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.