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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    601 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    387 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 208 matching records exist across the two collections.

Results for "Arrival in Alsace of the extraordinary c"12 records

Institutions answered newest-first by record, interleaved

Tureen in the form of a partridge by an unrecorded maker, The Metropolitan Museum of Art

Tureen in the form of a partridge

Unrecorded maker

ca. 1750 · Faience (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
The Arrival of the Princely Carriage at the Starting Point of the Hunt by Johann Elias Ridinger, The Metropolitan Museum of Art

The Arrival of the Princely Carriage at the Starting Point of the Hunt

Johann Elias Ridinger (d. 1767)

ca. 1756 · Pen and brown ink, brush and gray wash, over a sketch in graphite or black chalk; framing lines in pen and brown ink (lower and right edge) and graphite (upper edge)

Cleared · Public Domain

live
The MetSimilar
Tureen with cover in the form of a pigeon by Paul Hannong, The Metropolitan Museum of Art

Tureen with cover in the form of a pigeon

Paul Hannong (d. 1759)

ca. 1750–60 · Faience (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Tureen with cover in the form of a pigeon by Paul Hannong, The Metropolitan Museum of Art

Tureen with cover in the form of a pigeon

Paul Hannong (d. 1759)

ca. 1750–60 · Faience (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Extraordinary Express Across the Atlantic – Pilot Boat Wm. J. Romer, [commanded by] Captain McGuire, Leaving for England, February 9th, 1846 by Nathaniel Currier, The Metropolitan Museum of Art

Extraordinary Express Across the Atlantic – Pilot Boat Wm. J. Romer, [commanded by] Captain McGuire, Leaving for England, February 9th, 1846

Nathaniel Currier (d. 1888)

1846 · Hand-colored lithograph

Cleared · Public Domain

live
The MetSimilar
Arrivée en Alsace du commissaire extraordinaire Coco Romieu, published in Le Charivari by Honoré Daumier, The Metropolitan Museum of Art

Arrivée en Alsace du commissaire extraordinaire Coco Romieu, published in Le Charivari

Honoré Daumier (d. 1879)

February 28, 1850 · Lithograph

Cleared · Public Domain

live
The MetSimilar
Squash Window with Pebbles by Louis C. Tiffany, The Metropolitan Museum of Art

Squash Window with Pebbles

Louis C. Tiffany (d. 1933)

1885–90 · Glass, beach-worn quartz, lead came

Cleared · Public Domain

live
The MetSimilar
General Manuel González on his deathbed, from a broadside entitled 'Arrival at the capital of the body of General Manuel González' by José Guadalupe Posada, The Metropolitan Museum of Art

General Manuel González on his deathbed, from a broadside entitled 'Arrival at the capital of the body of General Manuel González'

José Guadalupe Posada (d. 1913)

1893 · Type-metal engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Arrival of the Princely Carriage at the Starting Point of the Hunt, from the series Die par force Jagd des Hirschen und deren ganzer Vorgang mit Ausführlicher Beschreibung in 16 Kupfertafeln

Johann Elias Ridinger (d. 1767)

1756 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hair Ornament

Louis C. Tiffany (d. 1933)

ca. 1904 · Gold, silver, platinum, black opals, boulder opals, demantoid garnets, rubies, enamel.

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Architectural Elements from Laurelton Hall, Oyster Bay, New York

Louis C. Tiffany (d. 1933)

ca. 1905 · Limestone, ceramic, and Fravrile glass

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Brooch

Louis C. Tiffany (d. 1933)

ca. 1910 · Gold, silver, amethyst, and enamel

In copyright

live
The MetSimilar

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