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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1020 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    616 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 74 matching records exist across the two collections.

Results for "Arthur Wellesley, 1st Duke of Wellington"12 records

Institutions answered newest-first by record, interleaved

Arthur Wellesley, 1st Duke of Wellington by Sèvres Manufactory, The Metropolitan Museum of Art

Arthur Wellesley, 1st Duke of Wellington

Sèvres Manufactory (d. 9999)

1815 · Hard-paste biscuit porcelain

Cleared · Public Domain

live
The MetSimilar
Portrait of Arthur Wellesley, later 1st Duke of Wellington by John Wright, The Cleveland Museum of Art

Portrait of Arthur Wellesley, later 1st Duke of Wellington

John Wright (d. 1820)

c. 1806–7 · Portrait Miniature, watercolor on ivory in a gilt wood frame

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Arthur Wellesley, 1st Duke of Wellington (1769–1852) by Sir Francis Chantrey, The Metropolitan Museum of Art

Arthur Wellesley, 1st Duke of Wellington (1769–1852)

Sir Francis Chantrey (d. 1841)

1823 · Marble

Cleared · Public Domain

live
The MetSimilar
The Duke of Wellington by William Say, The Metropolitan Museum of Art

The Duke of Wellington

William Say (d. 1834)

1828 · Mezzotint

Cleared · Public Domain

live
The MetSimilar
Lazarus and the Rich Man by Anonymous, British, 19th century, The Metropolitan Museum of Art

Lazarus and the Rich Man

Anonymous, British, 19th century (d. 1900)

1830 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Silhouette of a Celebrated Commander on the Retir'd List by John Bruce, The Metropolitan Museum of Art

Silhouette of a Celebrated Commander on the Retir'd List

John Bruce (d. 1835)

1830–35 · Aquatint

Cleared · Public Domain

live
The MetSimilar
An Irish Howl [Owl]! by John Doyle, The Metropolitan Museum of Art

An Irish Howl [Owl]!

John Doyle (d. 1868)

February 1, 1837 · Lithograph

Cleared · Public Domain

live
The MetSimilar
Tickling Trout by Mssrs. Fores, The Metropolitan Museum of Art

Tickling Trout

Mssrs. Fores (d. 1999)

ca. 1843 · Lithograph

Cleared · Public Domain

live
The MetSimilar
Arthur Wellesley, 1st Duke of Wellington, from the Great Generals series (N15) for Allen & Ginter Cigarettes Brands by Allen & Ginter, The Metropolitan Museum of Art

Arthur Wellesley, 1st Duke of Wellington, from the Great Generals series (N15) for Allen & Ginter Cigarettes Brands

Allen & Ginter

1888 · Commercial color lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 6

Rudolph Ackermann, London (d. 1832)

July–December 1811 · Illustrations: etching, engraving, woodcut, hand-coloring, and textile samples

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Master General of the Ordinance

Richard Dighton (d. 1880)

August 1819 · Hand-colored etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Key to the picture of the Waterloo banquet at Apsley Hous

William Salter (d. 1875)

ca. 1846 · Wood engraving

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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