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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    2140 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    338 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 14 matching records exist across the two collections.

Results for "Artist's Sketch of Ramesses IV"11 records

Institutions answered newest-first by record, interleaved

Artist's Sketch of Ramesses IV by an unrecorded maker, The Metropolitan Museum of Art

Artist's Sketch of Ramesses IV

Unrecorded maker

ca. 1166–1158 BCE · Limestone, ink

Cleared · Public Domain

live
The MetSimilar
Fountain and basin by Meissen Manufactory, The Metropolitan Museum of Art

Fountain and basin

Meissen Manufactory (d. 9999)

ca. 1727–32 · Hard-paste porcelain decorated in polychrome enamels, gold; silver spout

Cleared · Public Domain

live
The MetSimilar
Ferdinand VII (1784–1833), When Prince of Asturias by Goya, The Metropolitan Museum of Art

Ferdinand VII (1784–1833), When Prince of Asturias

Goya (d. 1828)

ca. 1800 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Equestrian Portrait of Louis de Lorraine, Prince of Phalsbourg

Jacques Callot (d. 1635)

ca. 1624 · Brush and brown wash over black chalk; the outlines of the horse and rider are pricked for transfer and partially indented

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings by the Late John Crome, founder of the Norwich Society of Artists, and Printed from the Plates as Left by Himself

John Crome (d. 1821)

1834 · Etching, softground etching, drypoint, all on chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Kidwelly Castle (Le Château de Kidwelly)

Sir Francis Seymour Haden (d. 1910)

1859 · Etching and drypoint; first state of two (Harrington); fourth state of six (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Fisherman

Sir Francis Seymour Haden (d. 1910)

1864 · Etching and drypoint (counterproof); trial proof c (Harrington); fourth state of five (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Puff"–Dog Asleep on a Chair

Sir Francis Seymour Haden (d. 1910)

1865 · Etching and drypoint; first (final) state (Harrington); fourth state of five (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Across the Continent – "Westward the Course of Empire Takes Its Way"

Frances Flora Bond Palmer (d. 1876)

1868 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Across the Continent: "Westward the Course of Empire Takes its Way"

Frances Flora Bond Palmer (d. 1876)

1868 · Hand-colored lithograph

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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