
The artist Jean Duvet in the guise of St. John the Evangelist, sitting at a desk
Jean Duvet (d. 1561)
ca. 1546–55 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
434 ms. The Metropolitan Museum of Art, Collection API (Open Access)
342 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,814 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The artist Jean Duvet in the guise of St. John the Evangelist, sitting at a desk
Jean Duvet (d. 1561)
ca. 1546–55 · Engraving
Cleared · Public Domain
live
Oeuvres de Jean Racine
Jean Racine (d. 1699)
1801 · Printed book with engraved illustrations
Cleared · Public Domain
live
Jean Bart, France, from the Famous Ships series (N50) for Virginia Brights Cigarettes
Allen & Ginter
1895 · Albumen photograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bedroom in which Aegeus prevents Theseus from drinking the poison, plate 4 from 'Alcôves à la romaine', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bedroom in which Scylla cuts the lock of hair from her father Nisus' head, plate 6 from 'Alcôves à la romaine', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette page 232 depicting Venus rushing from her Chariot, hands raised towards the heaven in despair, as Adonis dies in the arms of his hunting companions, from Les Amours de Psyché et de Cupidon Avec la Poème d'Adonis
Jean Dambrun (d. 1808)
published in 1795 · Etching; first state of five (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette page 232 depicting Venus rushing from her Chariot, hands raised towards the heaven in despair, as Adonis dies in the arms of his hunting companions, from Les Amours de Psyché et de Cupidon Avec la Poème d'Adonis
Jean Dambrun (d. 1808)
published in 1795 · Etching and engraving; fourth state of five (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Croix Reçue (The cross received), plate 2 from "Chemin de Croix" (Stations of the Cross)
Jean Charlot (d. 1979)
1918–20 (re-printed 1977) · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Sainte-Face (The Holy Face: Veronica's veil), plate 6 from "Chemin de Croix" (Stations of the Cross)
Jean Charlot (d. 1979)
1918–20 (re-printed 1977) · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Tabernacle (The Tabernacle), plate 14 from "Chemin de Croix" (Stations of the Cross)
Jean Charlot (d. 1979)
1918–20 (re-printed 1977) · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
As in the times of Jean Bart, from "Europe During the War"
Anonymous, 20th century (d. 1999)
ca. 1920 · Commercial color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Collection "Décors et Couleurs" Album No. 2: Soixante-Dix Motifs Décoratifs en Dix-Huit Planches
Jean Burkhalter
[ca. 1930] · Pochoir
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.