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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    351 ms. The Cleveland Museum of Art, Open Access API

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1 of 2 providers answered live. 39 matching records exist across the two collections.

Results for "Ascension of Christ"10 records

Institutions answered newest-first by record, interleaved

Ascension of Christ by Albrecht Dürer, The Cleveland Museum of Art

Ascension of Christ

Albrecht Dürer (d. 1528)

c. 1515 · Drawing, pen and brown ink

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Pilgrim's Ampulla with the Ascension (back) by an unrecorded maker, The Cleveland Museum of Art

Pilgrim's Ampulla with the Ascension (back)

Unrecorded maker

c. 600 · Metalwork, tin-lead alloy with leather fragments

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Wooden Casket: Scenes from the Life of Christ by an unrecorded maker, The Cleveland Museum of Art

Wooden Casket: Scenes from the Life of Christ

Unrecorded maker

c. 1050 · Furniture and woodwork, boxwood, copper-alloy, glass

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Pilgrim's Ampulla with Scenes of the Crucifixion (front) and the Ascension (back) by an unrecorded maker, The Cleveland Museum of Art

Pilgrim's Ampulla with Scenes of the Crucifixion (front) and the Ascension (back)

Unrecorded maker

c. 600 · Metalwork, tin-lead alloy with leather fragments

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Crucifix with Scenes of the Passion by an unrecorded maker, The Cleveland Museum of Art

Crucifix with Scenes of the Passion

Unrecorded maker

c. 1230–40 · Painting, tempera with gold on panel

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Elisha and Elijah's Chariot of Fire by Jan Saenredam, The Cleveland Museum of Art

Elisha and Elijah's Chariot of Fire

Jan Saenredam (d. 1607)

1604 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Pilgrim's Ampulla with the Crucifixion (front) by an unrecorded maker, The Cleveland Museum of Art

Pilgrim's Ampulla with the Crucifixion (front)

Unrecorded maker

c. 600 · Metalwork, tin-lead alloy with leather fragments

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bifolio from a Book of Hours: The Crucifixion (recto), Text (verso) by an unrecorded maker, The Cleveland Museum of Art

Bifolio from a Book of Hours: The Crucifixion (recto), Text (verso)

Unrecorded maker

c. 1435 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

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Cleveland Museum of ArtSimilar
Book of Hours (Use of Rouen): fol. 13r, The Four Evangelists by Master of the Geneva Latini, The Cleveland Museum of Art

Book of Hours (Use of Rouen): fol. 13r, The Four Evangelists

Master of the Geneva Latini

c. 1470 · Bound Volume, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Missale: Fol. 208v: Ascension of Christ by Bartolommeo Caporali, The Cleveland Museum of Art

Missale: Fol. 208v: Ascension of Christ

Bartolommeo Caporali (d. 1503)

1469 · Bound Volume, ink, tempera and burnished gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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