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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    259 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    355 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 44 matching records exist across the two collections.

Results for "At Avignon, First Sight of Clara, from ""12 records

Institutions answered newest-first by record, interleaved

"Laila and Majnun in School", Folio 129 from a Khamsa (Quintet) of Nizami of Ganja by Nizami, The Metropolitan Museum of Art

"Laila and Majnun in School", Folio 129 from a Khamsa (Quintet) of Nizami of Ganja

Nizami (d. 1209)

dated 931 AH/1524–25 CE · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
"A Bathhouse Keeper is Consumed by Passion for his Beloved", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi by Amir Khusrau Dihlavi, The Metropolitan Museum of Art

"A Bathhouse Keeper is Consumed by Passion for his Beloved", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi

Amir Khusrau Dihlavi (d. 1350)

1597–98 · Main support: Ink, opaque watercolor and gold on paper Margins: Gold on dyed paper

Cleared · Public Domain

live
The MetSimilar
Irises at Yatsuhashi (Eight Bridges) by Ogata Kōrin, The Metropolitan Museum of Art

Irises at Yatsuhashi (Eight Bridges)

Ogata Kōrin (d. 1716)

after 1709 · Pair of six-panel folding screens; ink and color on gold leaf on paper

Cleared · Public Domain

live
The MetSimilar
Jug by an unrecorded maker, The Metropolitan Museum of Art

Jug

Unrecorded maker

17th century or later · Faience (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Jug by an unrecorded maker, The Metropolitan Museum of Art

Jug

Unrecorded maker

17th century or later · Faience (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
The Tempest, Act I: Ferdinand and Miranda by Samuel Middiman, The Metropolitan Museum of Art

The Tempest, Act I: Ferdinand and Miranda

Samuel Middiman (d. 1831)

1788 · Etching

Cleared · Public Domain

live
The MetSimilar
At Avignon, First Sight of Clara, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution" by Thomas Rowlandson, The Metropolitan Museum of Art

At Avignon, First Sight of Clara, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution"

Thomas Rowlandson (d. 1827)

December 1, 1817 · Hand-colored etching and aquatint

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The friends and servants of Cato mourn at the sight of his dead body outstretched on his bed, from Grandes alcôves à la romaine, plate 6

Jean Le Pautre (d. 1682)

17th century · Etching; first state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Notre Dame des Doms, Avignon

Camille Bernabé

1852 · Salted paper print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Outward Bound, from "Picture Poesies"

Arthur Boyd Houghton (d. 1875)

first published 1866, reissued 1874 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bowl

The Kalo Shop (d. 1970)

ca. 1912 · Silver

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Utonga (Lynch Fragment)

Melvin Edwards (d. 2026)

1988 · Welded steel

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.