Atalanta and Meleager
Peter Paul Rubens (d. 1640)
ca. 1616 · Oil on wood
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
844 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
366 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 548 matching records exist across the two collections.
Results for "Atalanta and Meleager with Fountains of"11 records
Institutions answered newest-first by record, interleaved
Meleager and Atalanta
Crispijn de Passe the Younger (d. 1670)
first quarter 17th century · Silk and metal thread on canvas
Cleared · Public Domain
liveThe MetSimilar
Atalanta and Meleager
Willem Panneels (d. 1632)
ca. 1631 · Etching; first state of two (Hollstein)
Cleared · Public Domain
liveThe MetSimilar
Meleager and Atalanta
Abraham van Diepenbeeck (d. 1675)
17th century · Black chalk, pen and brush and brown ink, white heightening
Cleared · Public Domain
liveThe MetSimilar
Meleager and Atalanta, Alpheus in pursuit of Arethusa
Unrecorded maker
third quarter 17th century · Wool and silk on canvas
Cleared · Public Domain
liveThe MetSimilar
Atalanta and Meleager
Cornelis Bloemaert (d. 1684)
1618–84 · Engraving; second state of two
Cleared · Public Domain
liveThe MetSimilar
Atalanta and Meleager with Fountains of Versailles
Antonio Tempesta (d. 1630)
late 17th century · Wool and silk on canvas (Center: 484-576 tent stitches per sq. inch, 90 per sq. cm. Border: 169 cross-stitches per sq. inch, 25 per sq. cm.)
Cleared · Public Domain
liveThe MetSimilar
Meleager
Antonio Gai (d. 1769)
1735 · Marble
Cleared · Public Domain
liveThe MetSimilar
Meleager and Atalanta
Frankenthal Porcelain Manufactory
1777 · Hard-paste porcelain
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Atalanta and Meleager chasing the Calydonian Boars
Etienne Delaune (d. 1583)
1573 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Meleager offering the boar's head to Atalanta
Etienne Delaune (d. 1583)
1573 · Engraving
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.