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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    231 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    598 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "Atrium of the Palace of Venus; set desig"9 records

Institutions answered newest-first by record, interleaved

Venus and Cupid by Pinturicchio, The Metropolitan Museum of Art

Venus and Cupid

Pinturicchio (d. 1513)

ca. 1509 · Fresco, transferred to canvas and attached to wood panels

Cleared · Public Domain

live
The MetSimilar
Vertical Landscape with the Ruins of the Temple of Venus and Roma, from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles" by Lambert Suavius, The Metropolitan Museum of Art

Vertical Landscape with the Ruins of the Temple of Venus and Roma, from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles"

Lambert Suavius (d. 1576)

1554 · Etching

Cleared · Public Domain

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The MetSimilar
Atrium of the Palace of Venus; set design from 'Il Pomo D'Oro' by Mathäus Küsel, The Metropolitan Museum of Art

Atrium of the Palace of Venus; set design from 'Il Pomo D'Oro'

Mathäus Küsel (d. 1682)

1668 · Etching

Cleared · Public Domain

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The MetSimilar
Armchair (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Armchair (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

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The MetSimilar
Armchair (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Armchair (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

live
The MetSimilar
Armchair (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Armchair (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

live
The MetSimilar
Settee (canapé) (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Settee (canapé) (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

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The MetSimilar
Design for the Fontana di Venere e Adone, Reggia di Caserta, Naples by Fedele Fischetti, The Metropolitan Museum of Art

Design for the Fontana di Venere e Adone, Reggia di Caserta, Naples

Fedele Fischetti (d. 1792)

ca. 1780 · Pen and black ink, gray wash, over black chalk

Cleared · Public Domain

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The MetSimilar
Cabinet by Melchior Baumgartner, The Metropolitan Museum of Art

Cabinet

Melchior Baumgartner

ca. 1655–59, engraved decorations ca. 1825–50 · Oak, pine, walnut, cedar, ebony, and rosewood; ivory veneer and silver veneer; silver; silver-gilt moldings; gilded yellow-metal mounts; the drawers lined with aquamarine-colored silk

Cleared · Public Domain

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The MetSimilar

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