
Fragment of a marble neo-Attic relief with Peitho
Unrecorded maker
1st century BCE · Marble, Pentelic
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
145 ms. The Metropolitan Museum of Art, Collection API (Open Access)
325 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 17,723 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fragment of a marble neo-Attic relief with Peitho
Unrecorded maker
1st century BCE · Marble, Pentelic
Cleared · Public Domain
live
Black-Figure Neck-Amphora (Storage Vessel): Herakles and Nemean Lion (A); Dionysos, Satyrs, and Maenads (B)
Painter of Berlin 1899
515–510 BCE · Ceramic, ceramic
Cleared · CC0
live
Marble pillar with Neo-Attic reliefs
Unrecorded maker
late 1st century BCE–early 1st century CE · Marble
Cleared · Public Domain
live
Black-Figure Dinos (Mixing Vessel): Warships (Int.); Heroic Scenes (Top)
Antimenes Painter
c. 520–515 BCE · Ceramic, ceramic
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Attic Floor Plan of Nork, the Seat of Lord Arden, near Epsom
Owen Carter (d. 1859)
1836 · Pen and ink, brush and wash
In copyright
live
Black-Figure Trefoil Oinochoe (Wine Jug): Europa on Bull
Class of Vatican 440
c. 530 BCE · Ceramic, ceramic
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
H. Bailey House at Dorchester, Massachusetts (Attic Story Plan)
Luther Briggs Jr. (d. 1905)
1859 · Pen, ink, and graphite
In copyright
live
White-Ground Lekythos (Oil Vessel): Atalanta and Erotes
Douris
c. 500–490 BCE · Ceramic, ceramic
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Richardson House at Braintree, Massachusetts (Attic Story Plan)
Luther Briggs Jr. (d. 1905)
1862 · Pen and ink
In copyright
live
Red-Figure Lekythos (Oil Vessel): Warrior Cutting Hair
Oionokles Painter
c. 480–470 BCE · Ceramic, ceramic
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Grenier d'Alrondance, Travèe droite
Ernest Ladrey
1871 · Albumen silver print from glass negative
In copyright
live
Red-Figure Lekythos (Oil Vessel): Athena Slaying Giant (body); Satyr between Maenads (shoulder)
Berlin Painter
c. 490 BCE · Ceramic, ceramic
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.